DC Comics 40 Years Ago

Young Love #82

2010-07-09T13:01:00.000-07:00

Young Love #82 (On Sale: July 9, 1970) has a cover inked by Dick Giordano.

We begin with "He's the One I Want." That is followed by "Happy Ending." We end with "Please, Please... Make Him Forget Her" drawn by the great Gray Morrow.

Edited by Dick Giordano.

Our Fighting Forces #127

2010-07-09T12:56:00.000-07:00

Our Fighting Forces #127 (On Sale: July 9, 1970) has a Losers cover by Joe Kubert.

We begin with the Losers in "Angels Over Hell's Corner" by Robert Kanigher, Ross Andru and Mike Esposito.

The back-up story is the U.S.S. Stevens in "Dragonfly" written and drawn by Sam Glanzman.

Edited by Joe Kubert.

House of Mystery #188

2010-07-09T11:26:00.000-07:00

House of Mystery #188 (On Sale: July 9, 1970) has a cover by Neal Adams.

This issue introduced American comic fans to the amazing pencil and ink artwork of Tony DeZuniga in its first story, "Dark City of Doom" written by Gerry Conway.

Next is a Cain's Gargoyles one-pager written and drawn by Sergio Aragones, a Page 13 one-pager by Joe Orlando and Sergio Aragones and a Cain's Game Room one-pager by John Albano. In a few years John Albano and Tony DeZuniga would team up to create western anti-hero Jonah Hex.

This issue ends with "House of Madness" drawn by Bernie Wrightson.

The entire issue was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Binky's Buddies #11

2010-07-09T11:11:00.000-07:00

Binky's Buddies #11 (On Sale: July 9, 1970) has a cover by Henry Scarpelli.

We begin with Binky in "The Unbelievers" by Henry Boltinoff, Winslow Mortimer and Henry Scarpelli. This one was reprinted in Best of DC #70. Next is Binky in "Tennis the Menace" which was reprinted in Best of DC #28. We end with Binky's Buddies in "The Fashion Show."

Edited by Joe Orlando.

Wonder Woman #190

2010-07-07T22:47:00.000-07:00

Wonder Woman #190 (On Sale: July 7, 1970) has a cover Mike Sekowsky and Dick Giordano.

Mike Sekowsky wrote and drew and Dick Giordano inked "Detour" our book-length Wonder Woman story. Back from China and a little bit down, I-Ching suggests that Diana visit her mother on Paradise Island, but when Amazon messenger Leda attempts to bring Diana through the dimensional stream they take and unexpected detour and end up int he dark fending off unseen creatures. When a green moon appears the creatures scamper and Diana and Leda find themselves in an alien landscape.

When finally the sun rises a strange flying ship appears and armed men attempt to capture Diana and Leda. Diana holds them at bay while Leda escapes through the dimensions to Paradise Island to bring reinforcements. Eventually the men overpower Diana and she and a barbarian man are taken to the city of Calendar where they are brought before the queen.

They learn that they were captured to fight in the arena for sport, but the queen dismisses Diana as "just a girl." Diana says she sees no reason to wait for the arena to fight and using her shackles as a weapon sets upon her captors, the barbarian man at her side. Diana makes it to the queen but is overpowered and knocked unconscious.

She awakes in a cell with Rancor the barbarian and they manage to escape. They are chased through the castle but end up in the arena, realizing they were allowed to escape and were pointed toward their death. In the arena they face a giant monster called a gnarth, but Diana has a plan for killing it. The plan works and then they leap out of the arena and once again are upon the queen and her men. As reinforcements arrive they are chased once again through the castle and up to the top of a tower. From there they see an army amassed at the gates of Calendar.

Rancor says it is the army of his father, King Zangor and that he was captured when he was scouting ahead of the army. They are there to end the rule of the evil queen. As the queen's men approach, Diana and Rancor leap from the tower into the moat. This one is continued.

Reprinted in Diana Prince:Wonder Woman Vol. 3 TPB.

Edited by Mike Sekowsky.

Superboy #168

2010-07-07T16:47:00.000-07:00

Superboy #168 (On Sale: July 7, 1970) has another of my favorite Neal Adams' covers. Just beautiful.

We begin with "Leave Us... or We Perish" by Frank Robbins, Bob Brown and Murphy Anderson.

The back-up Superboy story must have been in inventory for a few years. "The Negative Boy of Steel" is by Arnold Drake who was fired in 1968, Al Plastino who was also fired in 1968 and Mike Esposito. Except for a Superman's Wedding Album pin-up in 1996, this is Al Plastino's last work for DC.

Al Plastino's earliest comic work was as an assitant to Bill Everett working on Sub-Mariner for Timely Comics and his first credited work was the cover of Novelty Press' Blue Bolt Comics #9 in 1943.

In 1948 Plastino showed samples of his work to editors at DC and began a 20-year stint on the Superman family of books. At first he was required to mimic Wayne Boring's style but as time went on he was allowed to draw like Al Plastino. The worked on Superman, Superboy, and Lois Lane. With Otto Binder he co-created Supergirl and The Legion of Super-Heroes.

Plastino also drew the Superman newspaper strip in the late 60s and the Batman strip from 1966-1972. When DC ousted him from their books in 1968 Al Plastino also took over the Ferd'nand newspaper strip which he drew until he retired in 1989. In 1983 he drew the Sunday episodes of Nancy after Ernie Bushmiller died and he also drew a year's worth of Peanuts strips in the early 1980s to be used if Charles Schulz became ill. I don't think those will ever see the light of day, but it does make for an interesting trivia question, "Who besides Charles Schulz drew an entire year's worth of Peanuts strips?"

Edited by Murray Boltinoff.

Super DC Giant S-14

2010-07-07T09:05:00.000-07:00

Super DC Giant S-14 (On Sale: July 7, 1970) has a cover by Joe Kubert and features "Top Guns of the West."

We begin the reprint-fest with Johnny Thunder in "Target -- Johnny Thunder" by Robert Kanigher and Gil Kane and reprinted from All-Star Western #107.

Next is Nighthawk in "Black Sar Gang" by Gardner Fox and Ruben Moreira and reprinted from Western Comics #43.

That is followed by Matt Savage Trail Boss in "The Gun-Trap on Signal Hill" by Gardner Fox, Gil Kane and Joe Giella and reprinted from Western Comics #84.

Next we have the Wyoming Kid in "The Million Dollar Coin" by Gardner Fox and Bruno Premiani and reprinted from World's Finest Comics #62.

We have another Johnny Thunder tale, "Trap of the Sheriff's Hat" by Bob Haney and Gil Kane and reprinted from All-Star Western #99.

We end with the Trigger Twins in "The Surprise Sheriff of Rocky City" by Robert Kanigher and Carmine Infantino and reprinted from All-Star Western #104.

Edited by Dick Giordano.

Secret Hearts #146

2010-07-07T08:53:00.000-07:00

Secret Hearts #146 (On Sale: July 7, 1970) has a cover inked by Dick Giordano.

This issue has two longer than normal stories. We begin with "A Kiss to Light the Darkness" inked by Vinny Colletta and we end with our cover-story, "Wasting My Love on You." Not much else to say about this one.

Edited by Dick Giordano.

Tomahawk #130

2010-07-02T22:39:00.000-07:00

Tomahawk #130 (On Sale: July 2, 1970) has a cover by Neal Adams.

Well, the great run on Neal Adams' covers and the superior artwork by Frank Thorne could not quite save Tomahawk. This is the last issue to go by that name, at least on the cover, as next issue is known as Hawk, Son of Tomahawk as Joe Kubert takes over the editorial reigns from Murray Boltinoff. We begin this last true Tomahawk issue with "Deathwatch at Desolation Valley" by Robert Kanigher and Frank Thorne.

The back-up Tomahawk story is "A Bullet for My Brother" by George Kashdan and Frank Thorne.

Edited by Murray Boltinoff.

Superman's Girl Friend Lois Lane #104

2010-07-02T21:41:00.000-07:00

Superman's Girl Friend Lois Lane #104 (On Sale: July 2, 1970) has a cover by Curt Swan and Murphy Anderson featuring Lois Lane's Greatest Scoops.

We begin with "The Super-Prisoner of Amazon Island" by Otto Binder, Wayne Boring and Stan Kaye and reprinted from Action Comics #235. Lois and other members of her Super Sorority are shipwrecked on a small island. Superman comes to rescue them, but he has violated the laws of the native Amazons living there. He is declared a slave and his services are bid upon.

The queen, Elsha, wishes to make Superman her husband. When she loses in the auction, she abolishes the law and creates a new one. Superman must now perform a task for each woman, if he cannot he must marry them.

Superman agrees to the procedure in hopes of finding a cure for Kryptonite which he believes is on the island. Each woman takes her turn, but Superman completes each task. The final task is the queen’s. He destroys her crown to make her a commoner which was what she asked him to do. The Man of Steel is set free, but he realizes too late that the crown was the cure he sought. He and the sorority return home, leaving the Amazons behind.

Next is "The Monkey's Paw" drawn by Kurt Schaffenberger and reprinted from Superman's Girl Friend Lois Lane #42. Lois receives a box of strange curios from a recently deceased explorer. Inside is a monkey’s paw which legend claims will grant three wishes. Lois imagines possible wishes for herself, but she uses one to save an airplane and another to save Superman from Kryptonite. When she tells Lucy Lane and Jimmy Olsen about her wishes, they reveal that the wishes were not responsible for the rescues. Lois uses her final wish to give Clark Kent super powers. He fakes an illness, so Lois believes the wishes didn’t work. As a result, she throws the monkey’s paw away.

That is followed by "The Town of Supermen" by Edmond Hamilton, Curt Swan and George Klein and reprinted from Superman #153. Eight prisoners of the Phantom Zone escape and move to a ghost town, Drywood Gulch. They bring Lois to town and tell her that they are Kryptonian astronauts. Later, Lois returns with Jimmy and Perry to show them the town of Supermen, but the men pretend to be normal men. Finally, Lois convinces Jimmy of the truth and he summons Superman. The Man of Steel out duels the criminals and returns them to the Phantom Zone.

Next is "Lois Lane's Great Houdini Trick" by Otto Binder and Kurt Schaffenberger and reprinted from Superman's Girl Friend Lois Lane #58. Lois receives a request to expose a phony spirit medium. When she visits the swamis parlor, she discovers that the medium is Voodoo Vickers, a notorious gangster wanted for murder. Lois attends a séance in disguise and uses the swami's own tricks to force Vickers into revealing the location of the murder victim. Superman then apprehends the swami.

That brings us to "The Reversed Super-Powers" by Jerry Siegel and Kurt Schaffenberger and reprinted from Action Comics #274. During an experiment to find an antidote for Kryptonite, Superman’s powers are transferred to Lois Lane. Without powers, Superman proposes to Lois, but she decides to think about it first. When she discovers that she has gained powers, she decides not to marry Superman for fear that her enemies would harm him. Superman then passes out. Another Superman arrives through the window and explains that it was only a Superman robot. The robot wanted to see if Lois loved Superman only because of his powers. The real Superman apologizes for his robot’s interference and returns it to the Fortress. Lois’s powers wear off restoring her to normal.

We end with "The Girl Who Destroyed Atlantis" drawn by Kurt Schaffenberger and reprinted from Superman's Girl Friend Lois Lane #42. While touring Atlantis with Lori Lemaris, Lois Lane is transported into the past by a time-travel belt. She arrives in ancient Atlantis and soon meets Roh-Tul, a dictator who resembles Luthor. Roh-Tul convinces Lois that he is benevolent and that his for Klar-Kan is evil. However, Lois soon learns that Roh-Tul is the tyrant and spurns his affections. Roh-Tul then detonates a bomb. Lois is sent back to the present believing she was responsible for the sinking of Atlantis. Lori explains that the bomb was not the cause of Atlantis’ demise, but another later explosion caused the city to sink

Edited by E. Nelson Bridwell.

Super DC Giant S-13

2010-07-02T21:37:00.000-07:00

Super DC Giant S-13 (On Sale: July 2, 1970) has a Binky cover by Henry Scarpelli.

We have a flurry of uncredited Binky tales in this one. They are: "A Person Could Starve," (It's a good thing you can work...) , (Thanks for taking my books...), Benny in (Hello, Amy! This is Benny...), Binky in (Oh, Binky, would you do me a favor...), Buzzy in "A Good Listener," and then Binky in (I like these scales...) and (I've got to go now, Binky...) .

Edited by Joe Orlando.

Our Army at War #223

2010-07-02T21:32:00.000-07:00

Our Army at War #223 (On Sale: July 2, 1970) has a Sgt. Rock cover by Joe Kubert.

We begin with Sgt. Rock in "On Time" by Joe Kubert and Russ Heath. This is an unusual combination of Kubert writing and Heath drawing.

Next is "Pvt. Buck's Army" and we end with a U.S.S. Stevens tale, "The Kunko Warrior" by Sam Glanzman

Edited by Joe Kubert.

Aquaman #53

2010-07-02T15:02:00.000-07:00

Aquaman #53 (On Sale: July 2, 1970) has another classic cover by Nick Cardy. Good lord they don't get much better than this!

It is 1970 and there is a rumor going around that California is going to have a major earthquake and sink into the Pacific. Kinda hard to believe these days, but this rumor got so much traction that then governor, Ronald Reagan found some flimsy excuse to be out of the state the day it was supposed to happen. Just a funny last minute schedule change his people said, but we all knew. "Is California Sinking?" by the SAG team (Steve Skeates, Jim Aparo and Dick Giordano) taps beautifully into this 1970 paranoia as only Steve Skeates could.

It opens on a mundane scene of a secretary typing away in an office, obvious until the last moment to what is happening around her. From that startling scene we flip the page to one of Jim Aparo's great splash (no pun intended) pages, showing the power of his triple-threat penciling, inking and lettering. IS CALIFORNIA SINKING?

Well, is it? Californian millionaire Elliot Harlanson (gotta love that name!) has just been told that it will and what that means to him is his beautiful home will sink with it. And Elliot is having none of that. But he is being told that he can save his home, and California in the bargain, if he just buys an atomic bomb and blows up Atlantis. Because, you see, it is the rising of Atlantis that will cause the sinking of California and if Atlantis does not rise, well then, California does not sink! Or at least that is the story being peddled by Elliot's visitor, a mysterious "scientist" who we shortly learn is actually an agent of O.G.R.E. (Organization for General Revenge and Enslavement), who can't afford to buy an a-bomb of their own. They plan on seeing that Aquaman is in Atlantis when Elliot's bomb goes off.

It is now two weeks later and on the east coast Elliot and is his ever-present girl-friend meet the "scientists" from O.G.R.E. on a dock, where Elliot's submarine, atomic bomb inside, await. We find out that O.G.R.E. has enlisted the help of Black Manta to keep Aquaman by Atlantis and preoccupied. They have given Manta a gun that scrambles brain waves and Manta uses it to thwart an attack of sea creatures on him orchestrated by Aquaman. As Aquaman leaves Atlantis to confront Manta, the sub leaves the Florida coast heading for Atlantis.

When Manta uses the gun on Aquaman, the Sea King is able to counteract the gun's affects by concentrating on getting Manta. While Aquaman takes care of Black Manta, Aqualad and some Atlantian police take care of Manta's men. When Manta mumbles something about "They said I'd have nothing to worry about," Aquaman wants to know who "they" are and sort of, well, beats the information out of Manta. When Manta confesses that he got the gun from O.G.R.E., Aquaman knows something bigger than Manta and a gun is going on and he begins scouring the area around Atlantis looking for danger.

Meanwhile on the shore the O.G.R.E. "scientists" have a run in with the feds. who take them down only to be told that they are too late to save Atlantis or Aquaman.

Back at Atlantis, Aquaman sees the sub coming in close and sends a giant squid to capture it. Caught in the squid's grasp, Elliot freaks out, "You act like you don't care what happens to my beautiful, spacious home!" and accidentally whacks a lever. The lever that releases the bomb! Learning what he has done a distraught Elliot proclaims, "I'm too rich to die! Do something!" But there is nothing they can do while caught in the squid's grasp.

Aquaman sees the bomb however and races toward it at speeds only the King of the Sea could muster. Alas, he is still to slow and the bomb hit the sea floor!

And bounces harmlessly away. It is a dud! Inside the sub, Elliot is furious! "Wait till I get my hands on the rat who sold me that bomb!" His girl-friend tells him to, "Just cool it!"

In the epilogue a few days later the feds tell Aquaman the O.G.R.E. are being taken care of by them and not to worry. They also tell him that they have let Harlanson go, as he was duped; he actually thought he was saving California from destruction and had no idea that Atlantis was populated. When Aquaman talks about the act a fate that resulted in a dud atomic bomb the feds reveal that they actually took care of that, or rather their agent on the inside did. That is when Elliot's girl-friend, in reality Agent 03, Honey James, shows up.

Aquaman says that he let Manta go, as the revelation that Manta was being duped by O.G.R.E. was more than enough punishment. After they leave the feds and head back for Atlantis, Aqualad wonders what will happen to Atlantis's people should it rise from the ocean depths. Aquaman says not to worry as that would not happen till well past the year 2000, so they have plenty of time to figure it out.

"And so our story ends. Yet, once question remains unanswered..." Shots of the secretary going under water... "Is California Sinking?" Shamefully, shamefully never reprinted.

Edited by Dick Giordano.

Detective Comics #402

2010-06-30T13:57:00.000-07:00

Detective Comics #402 (On Sale: June 30, 1970) has a great cover by Neal Adams.

The Man-Bat returns in "Man or Bat?" by Frank Robbins, Neal Adams and Dick Giordano. The story opens with some thugs pulling a heist at a biochemical lab. what they don't know is that hanging in the rafters above them lurks the tormented Kirk Langstrom, now even more bat than the last time we saw him in the classic Detective #400. He waits in an agitated state for them to crack the safe below so that he can get what he so desperately needs. But just when it seems the hour of his saving is at hand Batman appears to break up the heist. When the Man-Bat appears to join him in thwarting the crime, Batman calls him a friend, but when Man-Bat reveals that he needs something from the safe, something he has brought money to pay for, Batman tries to stop him.

When Batman tries to unmask Kirk he realizes that he is not wearing a mask, but is truly a transformed human. Still he tries to stop the Man-Bat, but is knocked unconscious in the scuffle and Kirk departs with the drug he came looking for.

When he awakens, Batman heads off for the museum when he first met the Man-Bat hoping there to find a clue to his identity. When he gets there he finds Francine Lee, Kirk's fiancée trying to gain entrance. Kirk was supposed to be at an exhibit in Chicago, but he never arrived there and Francine is worried that something may be wrong. Upstairs Kirk has concocted a formula he hopes will reverse his bizarre transformation, but when he is startled by Batman and Francine at his door he drops the serum and flees out the window.

Batman tells Francine that the strange creature who has just fled is her fiancée, Kirk Langstrom, and that when they barged in Batman saw him mouth her name. batman thinks he can recreate the dropped serum in the Batcave and heads off to find Kirk and hopefully a cure for this transformation.

He finds Kirk up on a cliff and when he comes for him Kirk leaps from the cliff in fear, but rather than dying in the fall, huge batwings appear from under his coat and his transformation complete he flies off into the night following the flight of a "brother" bat. He follows the bat to his home, which happens to be, the Batcave. Kirk reaches the inner recesses of the cave just as Batman returns. He is momentarily blinded by the lights as they come one but uses his bat sonar to find an exit. Only, Langstrom's exit is the Batmobile;s entrance and Batman leaps from the car to divert Kirk from hitting it head-on.

He latches on to the Man-Bat, telling him that he is there to help him, to create an antidote, but Kirk takes Batman on a ride to the heights of the Batcave only to drop him from there. Some light fixtures break his fall, but from the floor he sees Langstrom about to fly out the open Batcave entrance. Clicking a remote on his belt Batman closes the door and Kirk is knocked unconscious by the door. Batman then ponders what to do, should he attempt to cure Langstrom, even though his brain may have been permanently damaged by his transformation, or should he leave him alone in his cursed condition? "Merciful heaven--What an impossible decision to make! There can be only one answer...if he must ide...ket it be as the man he once was!"

Batman gets to work in a tale continued in Detective #407. "Man or Bat?" was reprinted in Batman from the 30s to the 70s HC, Man-Bat #1 and Batman Illustrated by Neal Adams Vol. 2 HC.

The back-up story is Robin in "My Place in the Sun" by Mike Friedrich, Gil Kane and Vince Colletta. The story begins with Robin flying in on the Arrow Jet with Speedy all the way from Teen Titans #28. Dick shows Roy (Speedy) Harper around Hudson University. In the cafeteria a fight breaks out between some "punks" and a group called Project 70 who work with kids from a nearby juvenile detention farm. Dick changes into Robin to stop the fight. Robin goes after the big punk only to find out that it was the little kid Robin was trying to protect who started the fight.

Back in his room Dick is pissed at himself for jumping to conclusions without any evidence. That day Dick hears it all over campus, as Robin becomes the main topic of discussion. Some of the kids are for him, but many think he is just a vigilante and shouldn't be there. When he returns from shopping he finds Roy in his Speedy threads, heading off for a date with Wonder Girl.

After Roy leaves, Dick begins to question his role as Robin, but in the end he decides to keep the name and the costume. "...if I made a mistake once, I'm not gonna make it again! When I go out into that adult world, I want everyone to know that Robin is no longer a boy, but still a wonder!" Not a great story and certainly not great artwork.

Edited by Julius Schwartz.

Adventure Comics #396

2010-06-30T07:13:00.000-07:00

Adventure Comics #396 (On Sale: June 30, 1970) has a Supergirl cover by Curt Swan and Murphy Anderson.

We begin with "I am a Witch" by Robert Kanigher and Kurt Schaffenberger.

We end with our cover-story "The Mystery of the Super-Orphan" by Leo Dorfman, Winslow Mortimer and Jack Abel.

Edited by Mort Weisinger.

Action Comics #391

2010-06-30T05:52:00.000-07:00

Action Comics #391 (On Sale: June 30, 1970) has a cover by Curt Swan and Murphy Anderson.

We begin with our cover-story, the imaginary tale "The Punishment of Superman's Son" by Robert Kanigher, Ross Andru and Mike Esposito.

The back-up is the Legion of Super-Heroes in "The Ordeal of Element Lad" by E. Nelson Bridwell, Winslow Mortimer and Jack Abel. This story was reprinted in Legion of Super-Heroes Archives Vol. 9 HC.

Edited by Mort Weisinger.

Superman's Girl Friend Lois Lane #103

2010-06-25T08:32:00.000-07:00

Superman's Girl Friend Lois Lane #103 (On Sale: June 25, 1970) has a cover by Curt Swan and Murphy Anderson.

We begin with our cover-story "The Devil's Bride" by Robert Kanigher, Irv Novick and Mike Esposito. The back-up story is "The Fantastic Wigs of Mr. Dupre" drawn by Kurt Schaffenberger and reprinted from Superman's Girl Friend Lois Lane #35. Lois Lane attends a performance of Booth Barry, an old actor. Barry invites Lois backstage and relates a story about magical wigs that cause a person wearing them to die in the same manor as the model for the wigs did. Barry then is accidentally shot with a pistol in a manor similar to Alexander Hamilton, whose wig he was wearing.

Lois investigates the story and is led to the shop of Anton Dupre. Lois tests two wigs herself and is nearly killed. The third attempt nearly succeeds as Lois wears a Supergirl wig, however the real Supergirl has replaced Lois. Together they expose Dupre’s plot to eliminate Lois from discovering his underworld activities. The dangerous wigs were merely a hoax, and Dupre turns out to be Booth Barry in disguise.

Edited by Mort Weisinger.

Heart Throbs #127

2010-06-25T08:27:00.000-07:00

Heart Throbs #127 (On Sale: June 25, 1970) has a cover penciled by Jay Scott Pike and inked by Vinny Colletta.

We begin with "Choose Between Us" and move on to our cover-story "Heartbreak for Two" penciled by Jay Scott Pike. We end with "Am I Too Young for Love?" inked by Bernard Sachs.

Edited by Joe Orlando.

Girls' Love Stories #153

2010-06-25T08:23:00.000-07:00

Girls' Love Stories #153 (On Sale: June 25, 1970) has a cover inked by Dick Giordano.

We begin with "For Love or Money," which according to Wikipedia, contains the first American comic work of Tony DeZuniga. In this case it is Tony's inking that is introduced over the pencils of Ric Estrada. We move on to "The Engagement Ring" pencilled by Don Heck. Next is "The Cheat" inked by Vinny Colletta and we end with "The 3 Faces of Love."

Edited by Joe Orlando.

Brave and the Bold #91

2010-06-23T20:18:00.000-07:00

Brave and the Bold #91 (On Sale: June 23, 1970) has a cover by Nick Cardy.

"A Cold Corpse for the Collector" featuring Batman and the Black Canary is by Bob Haney and Nick Cardy and I remember this being some really great artwork. I wish I could remember the story and I know I have this around here somewhere, but everything got rearranged when I moved my new table into my studio. Damn! I'll find it soon and put a real entry in here. This was reprinted in Showcase Presents: The Brave and the Bold Batman Team-Ups Vol. 2 TPB.

Edited by Murray Boltinoff.

From Beyond the Unknown #6

2010-06-23T05:51:00.000-07:00

From Beyond the Unknown #6 (On Sale: June 23, 1970) has a cover by Neal Adams.

We begin with our cover-story "The Amazing Human Race" by John Broome, Sid Greene and Bernard Sachs and reprinted from Strange Adventures #85. Next is "The Runaway Space-Train" by Gardner Fox, Gil Kane and Bernard Sachs and reprinted from Mystery In Space #50. We end with "The Magic Lamp from Space" by Gardner Fox and Murphy Anderson and reprinted from Mystery In Space #62.

Edited by Julius Schwartz.

Late Again

2010-04-27T05:52:00.000-07:00

My mother had her second stroke in three years earlier this month and I have not been in the state of mind to read or comment on comics. As a result, I have fallen far behind in keeping this site up-to-date, though it is 40 years late already. Hopefully, my mental and emotional faculties will return shortly and I can get back to this. I ask for you patience. Thanks.

Girls' Romances #149

2010-04-09T15:00:00.000-07:00

Girls' Romances #149 (On Sale: April 9, 1970) has a cover inked by Vinny Colletta.

We begin with our cover-story "That Kind of Girl" drawn by Ric Estrada and Vince Colletta (personally, I always loved those kinds of girls!). Next is "You Can't Lie About Love" drawn by Mike Sekowsky and Bernard Sachs. We end with "Too Good to Be Loved" drawn by Murphy Anderson.

Edited by Murray Boltinoff.

Young Romance #166

2010-04-07T17:45:00.000-07:00

Young Romance #166 (On Sale: April 7, 1970) has a cover by persons unknown.

We begin with "Please, Please, Someone, Love Me" drawn by John Rosenberger. Next is "A Price on My Love" and then "Just No Good." We end with "Love Pass Me By" drawn by Ric Estrada and Vinny Colletta.

Edited by Joe Orlando.

Sugar and Spike #90

2010-04-07T17:42:00.000-07:00

Sugar and Spike #90 (On Sale: April 7, 1970) has a cover by Sheldon Mayer.

We begin with"What's a Flumsh?" by Sheldon Mayer and reprinted in Best of DC #47. We end with "Window-Box" also by Sheldon Mayer.

Edited by Murray Boltinoff

G.I. Combat #142

2010-04-07T17:36:00.000-07:00

G.I. Combat #142 (On Sale: April 7, 1970) has a Haunted Tank cover by Joe Kubert.

We begin with the Haunted Tank in "Checkpoint -- Death" by Robert Kanigher and Russ Heath and reprinted in Showcase Presents: Haunted Tank Vol. 2 TPB. Next is "The Garbage Hero" by Bob Haney and Sam Glanzman. We end with "The Last Survivors" by Robert Kanigher and Russ Heath.

Edited by Joe Kubert.

Binky #73

2010-04-07T17:30:00.000-07:00

Binky #73 (On Sale: April 7, 1970) has a cover by Henry Scarpelli.

We begin with "Lucky Binky" by John Albano, Winslow Mortimer and Henry Scarpelli and reprinted in Best of DC #39. Next is "The Great Bar-Bell Chase" and that is followed by "A Message to Peggy" by John Albano, Bob Oksner and Henry Scarpelli and also reprinted in Best of DC #39. We end with "Sherwood's Turn-On Gets Turned Off."

Edited by Joe Orlando.

Unexpected #119

2010-04-02T20:23:00.000-07:00

Unexpected #119 (On Sale: April 2, 1970) has a cover by Nick Cardy.

We begin with "Mirror, Mirror on the Wall, Who's the Deadliest of All?" drawn by Bernie Wrightson. That is followed by "The Swampchild" by Carl Wessler, Werner Roth and Frank Giacoia. Next is "Rachel Isn't Ready to Die" by George Kashdan, Sid Greene and Vinny Colletta. We next have "Rest in Pieces" drawn by Murphy Anderson and reprinted in Unexpected #160. We end with "A Phantom in the Tree" by Murray Boltinoff and Jerry Grandenetti.

Edited by Murray Boltinoff.

Superboy #166

2010-04-02T20:19:00.000-07:00

Superboy #166 (On Sale: April 2, 1970) has a cover by Neal Adams.

We begin with our cover-story, "Here Lies the Real Superboy" by Frank Robbins, Bob Brown and Mike Esposito. The back-up is "The Kryptonite Conqueror" also by Frank Robbins, Bob Brown and Mike Esposito.

Edited by Murray Boltinoff.

Secret Hearts #144

2010-04-02T20:13:00.000-07:00

Secret Hearts #144 (On Sale: April 2, 1970) has a cover inked by Dick Giordano.

We begin with "Run -- Heart -- Run" inked by Vinny Colletta. Next is "Meet You in Paris, Love?" pencilled by Murphy Anderson. We end with our cover-story, "Second Hand Love" drawn by Ric Estrada and Vince Colletta.

Edited by Dick Giordano.

House of Secrets #86

2010-04-02T19:40:00.000-07:00

House of Secrets #86 (On Sale: April 2, 1970) has a nice cover by Neal Adams.

This one has a framing sequence drawn by Bill Draut featuring Abel and of course, Goldie. After a page we are led into "Strain" drawn by George Tuska, the story of man tearing through the night, trying to put some distance between him and the life he has just destroyed. As he is car careens through the night he suddenly hears a strange musical strain, of such beauty that he stops his car to find its source. He is drawn to the house it emanates from and entering he is further drawn down dark corridors till he finally finds the source. His wife, Martha is at a piano playing. Seeing her he knows he has been saved, but the music is so compelling he can't concentrate so finally he he grabs her hands to make her stop.

Only it is no longer his wife, the one her murdered earlier tonight, it is instead an old hag, who says she is there to avenge his wife. She quickly slams the keyboard cover on his fingers and he finds himself back in his car, slamming into a tree. When the police find him the next day they note that his fingers are oddly bruised.

Next is "The Golden Tower of the Sun" by Gerry Conway and Gray Morrow. This one is not really a comic story but an illustrated text story. I have a confession to make here. I never read the text stories and still have some sort of block against doing so, so I don't know what this story is about, save what I can make out from the wonderful Gray Morrow illustrations. It appears to be the story of a rock and roll singer and some sort of spiritual or inter-dimensional travel.

Next is our cover-story, "The Ballad of Little Joe" by Gerry Conway and Bill Draut, or as he is credited here, Big Bad Bill. Jonathan Poe lives alone in his large house, just him and his puppets and his memories. His favorite puppet seems to be the pink-haired Little Joe, who is always breaking and whom Jonathan is constantly repairing. Through it all Little Joe's face is always laughing and Jonathan wonders if it is because he has made him that way or if Little Joe actually has something to laugh about.

Not nearly so funny is Jonathan's daughter, Sheila, who sees her father's obsession with his puppets as unhealthy. He tells her that since he has outlived the rest of the family, what is wrong with "My puppets! A shadow tracing of life--and for this you think me addled." The sky suddenly burst into fire and Jonathan sees it as a sign from heaven while all Sheila sees is heat lightening. She says when she returns tomorrow she will have a lawyer and a sheriff and they will deal with Jonathan.

As this is happening inside the house a portal is opening and a member of the Quaros, an alien race existing beneath the Earth's crust and out to conquer the surface steps into the room and grabs Little Joe. Jonathan returns just as the portal closes, and wonders who could have come in and stolen Little Joe. Far beneath the Earth, the Quaros work on Little Joe and using some miracle machine manage to bring him to life. They tell Little Joe that in return for his life he must betray the people of Earth and they send him back on some mission to do just that.

But when he steps through the portal and into Jonathan's workshop he wakes up the sleeping Jonathan and tells him of the Quaros's plans to conquer the Earth. Seeing this the Quaros decide to kill them both and open the portal once again, aiming a huge ray gun through it. As the gun fires Little Joe leaps in front of Jonathan, taking the full power of the blast. Seeing this Jonathan's heart gives out and he dies.

In the silence of the room, the now restored to a puppet Little Joe weeps for his maker. When Sheila returns the next day and finds her dead father she regrets how she had treated him and sees that she has a lot to make up for. She picks up Little Joe and takes him with her.

We end with a small two-page strip that made the rounds of the DC horror books for a few months. It is entitled "The Day After Doomsday" and they are all illustrated by Jack Sparling. In this one it is a week later and a solitary man pulls himself out of the rubble of the city. He walks around for a bit, the last man on Earth, when suddenly he is shot at. He ducks behind a building and sees his assailant, a beautiful blond woman. He implores her to put down the gun for the sake of humanity, that it is up to them to rebuild the human race and to get it right this time. He tells her his name is Adam. She replies, "Really? My name is Gertrude!"

The entire book was reprinted in Showcase Presents: The House of Secrets Vol. 1 TPB.

Edited by Dick Giordano.

Challengers of the Unknown #74

2010-04-02T18:53:00.000-07:00

Challengers of the Unknown #74 (On Sale: April 2, 1970) has a very nice cover featuring the Challs and mentioning Deadman.

The 23-page "To Call a Deadman" brings together not only the Challengers of the Unknown and Deadman, which seems like a match made in heaven, but als features Johnny Double in his first appearance since his Showcase tryout. The story is by Denny O'Neil and the artwork is by George Tuska, except for the panels featuring Deadman which are drawn by Neal Adams. I thought putting Deadman and the Challs together was a brilliant idea that would save this book, but of course, I was wrong. Starting next issue the Challengers of the Unknown became a reprint book; DC wasn't even waiting to see if Deadman helped out sales. This strange tale was reprinted in World's Finest Comics #230 and Deadman Collection HC.

The one-page filler this issue is "Dark as Death" by Murray Boltinoff and Bernie Wrightson.

Edited by Murray Boltinoff.

Our Army at War #220

2010-03-31T05:38:00.000-07:00

Our Army at War #220 (On Sale: March 31, 1970) has an awesome Sgt. Rock cover by Joe Kubert.

Our Sgt. Rock cover-story is "Stone-Age War" written and illustrated by Joe Kubert. This story was reprinted in Sgt. Rock #318. Next is "The Last Soldier" by Robert Kanigher, Ross Andru and Mike Esposito. We end with a U.S.S. Stevens story, "The Idiot" by Sam Glanzman.

Edited by Joe Kubert.

Dick Giordano, R.I.P.

2010-03-27T14:43:00.000-07:00

Dick Giordano died this morning. I was re-reading Hot Wheels #2 (March 17, 1970) for this blog last night, late as usual, and thinking what a stupid and utterly lame idea for a comic book this was. And what a magnificent series this turned out to be and the reason it was not the disaster it should have been was Dick Giordano. As editor he pulled together an amazing team, from the actually exciting scripts of Joe Gill and Alex Toth and Len Wein to the wonderful covers of Neal Adams and Alex to the even better pencils of Alex and Ric Estrada and later Neal and the glue that held the interior artwork together, some amazing, just dazzling, inks by Dick himself.

Dick Giordano had his hands on more of the comic books that I loved in those important early teen years than any other person in comics. The Marvel people had Stan Lee, but I never felt welcomed in by Stan. Dick Giordano on the other hand welcomed me into his books and seemed genuinely interested in what I and other fans had to say and he was nice enough to actually thank us at the end of each letter column for buying the book and joining in on the fun he had a hand in creating. I felt at home at DC because Dick Giordano made me feel that way.

I feel a hole in my heart the size of a child's wide-eyed enthusiasm. Thank you Dick, but this one is not going to be a very good afternoon.

And I sincerely mean that thank you. Thank you Dick, for the best series I ever read, the Skeates/Aparo/Giordano run on Aquaman, a series that was likely to go anywhere at any time and always do it with style and the greatest of artistry, Thank you for the Secret Six, the Mission:Impossible of comics that made me appreciate the non-super-hero books for the first time. Thank you for The Hawk and the Dove and the Creeper and the excitement that Ditko brought to DC if only for a little while. Thank you for the Teen Titans issues with the Wein/Wolfman controversy, Wonder girl's uniform, the sexiness of uniformless heroes, and the great artistry of Neal and Gil and George and of course and always Nick Cardy. Thank you for Hot Wheels, the greatest TV show/Toy/Comic book cross-over ever. Thank you for mixing a little more humor into the horror with The House of Secrets and even more humor in The Witching Hour, those early issues being more fun than chilling.

Thank you for knowing when to stay out of the way and let your writers write and your pencilers pencil and your inkers ink and for letting Nick Cardy create one amazing masterpiece after another. Thank you for bringing us Steve and Jim and Denny. Thank you for proving over and over again the pencils do not have to be weak to be improved by the inker. Thank you for some of the better parts of my childhood.

-Keller

Detective Comics #399

2010-03-26T13:25:00.000-07:00

Detective Comics #399 (On Sale: March 26, 1970) has a great cover by Neal Adams.

Our cover-story is "Death Comes to a Small, Locked Room" by Denny O'Neil, Bob Brown and Joe Giella. During a demonstration for cadets at the Gotham City Police Academy, Batman embarrasses Khan, a master of judo, karate and kung fu. When an enraged Khan comes after Batman with a steel identification bracelet across his knuckles, Batman decks him. In steps Arthur Reeves, the mayor's new Public Works Coordinator and soon to be a regular pain in Batman's backside.

Reeves wants to know what Batman is hiding behind that mask, why he isn't up front and out in the open. When Batman asks Reeves if that is what he believes in and Reeves answers in the affirmative, Batman lifts up Reeves toupee and quickly ducks out a window.

A month goes by and the incident quickly slides form Batman's memory till one night, 30 days later Batman is called to the site of Khan's training school which has been destroyed in a furnace explosion with Khan inside. Reeves shows up and accuses Batman of maybe causing the explosion to get back at Khan and Batman suggests that Reeves stick to sharing his fantasies with his barber.

Gordon and Batman have an appointment to get to, a séance of some sort to which they have been invited in an invitation that hinted at "solving a crime if we show." As they pull into the parking lot in Gordon's cruiser the car is strafed with machine gun bullets and crashes into a tree. As the machine gun-toting thug comes out to inspect his handy-work, Batman takes him out. Just then a man appears, "Big Dough" Joe Brunner a man sent to the pen by Gordon who is now out and wants to thank Gordon for setting his life straight. After he leaves Gordon wonders is "Big Dough" might not be behind the attack, but Batman says if he is, they know where to find him.

Inside the séance they meet the Great Dilbert--Medium Extraordinary who says he will "zummon spirits of dead!" He begins and the "spirit" has a message for Batman. The spirit seems to be speaking in Khan's voice and says that since Batman humiliated him in life he will humiliate Batman in death by killing Commissioner Gordon at midnight tomorrow. The lights go out and zee Great Dilbert has skedaddled. Batman says that Dilbert was a ventriloquist and wore a high collar to hide the movement of his throat muscles.

The next night Reeves tries to lock Gordon into a sealed vault for his protection, but one of the guards is actually Batman, who once again makes Reeves look life a fool. But the embarrassment just keeps on coming as Batman reveals that Gordon is not Gordon but actually the Great Dilbert. Pulling of Dilbert's mask and handing it to him Batman explains that "Gordon" was too clean shaven to have been on the job all day. Dilbert says that he might as well tell them where Gordon is really being held, but as he attempts to do so he dies from a poison on the outside of the Gordon mask Dilbert was holding. As he dies Dilbert says "D...do...j...jo..." and one of the guards says that it is obvious that the filler is "Big Dough" Joe Brunner, AKA Dough Joe.

Reeves sends men out to pick up Joe Brunner, but Batman has other ideas and heads back to Khan's training school, or dojo! There in a fireproof vault under the rubble Batman confronts and takes out Khan before he can harm Commissioner Gordon.

The back-up is Robin in "Panic by Moonglow" by Frank Robbins, Gil Kane and Vinny Colletta. Continuing from last issue where the moon rock turned geeky student Herb Stroud squeaky green and all, raising a panic within NASA, but leaving Robin with that not so subtle taste of hoax in his mouth. So much so that he went and checked out the shower Herb used, finding some funny smelling soap and a massive headache when someone slammed his head into a wall and stole the soap of questionable properties. When Robin comes around it is with the help of Zukov, the Russian exchange professor, whose hands have that tell-tell smell of gimmicked out soap.

The campus is quarantined by NASA so Robin needs a place to crash and Zukov offers his cottage guest-room. using a stolen stethoscope, Robin listens in as Zukov and some cronies hidden under his floor discuss their plan to make NASA look irresponsible for "polluting our glorious planet," losing public support and dropping out of the space race so that the Soviets can get their moon program on track and once again be the leaders in space. But first they want to get Robin out of the way.

However, when they kick down the door to his room, he has of course fled the scene and is heading for the science-hall to retrieve the lunar rock sample. After skirmishing with some of Zukov's men, Robin comes in through the roof, but gets his cape caught on a piece of broken glass, hanging him up in the air. Zukov shows up with a pencil laser gun he used to drill a hole into the glass case containing the moon rock, so that he could inject a secret gas that could be triggered by cosmic rays to turn the rock and Herb a lovely shade of green. Now he plans to use the same pencil to drill a hole into Robin's brain, but Robin slips out of his cape and collar and swings into the darkness on a batrope (or do we call this a robinrope?)

Shooting wildly after Robin's ever-moving voice, Zukov severs one of the legs of a Lunar Module on display and it crashes down on him with a satisfying KRUNCH! With Robin's information the NASA people are able to determine that Herb has been exposed to a Russian nerve-virus and they are able to give him an antidote in time to stave off the bitter green end. This story has been reprinted in Showcase Presents: Robin the Boy Wonder Vol. 1 TPB.

Edited by Julius Schwartz.

Adventure Comics #393

2010-03-26T12:46:00.000-07:00

Adventure Comics #393 (On Sale: March 26, 1970) has a cover by Curt Swan and Murphy Anderson.

Our cover-story is "The Unwanted Supergirl" by Robert Kanigher, Winslow Mortimer and Jack Abel. The back-up is "The Girl Who Knew Supergirl's Secrets" by E. Nelson Bridwell and Kurt Schaffenberger.

Edited by Mort Weisinger.

Action Comics #388

2010-03-26T12:38:00.000-07:00

Action Comics #388 (On Sale: March 26, 1970) has a cover by Curt Swan and Murphy Anderson. I remember falling for this cover gag and trying to count everything that was wrong on it.

Our cover-story is "Puzzle of the Wild World" by Cary Bates, Curt Swan and George Roussos. I think the answer to the cover question was that nothing was wrong, that on the planet it was depicting, everything was normal, but it has been a while and I might have that wrong. As I have mentioned earlier, I sold most of my Weisinger books in the late 70s.

The back-up Legion of Super-Heroes story is "Sun Boy's Lost Power" reprinted from Adventure Comics #302 and created by Jerry Siegel and John Forte. After attending the dedication of a Sun Boy statue, Sun Boy finds that his powers of heat and light have stopped working. With the help of the Legionnaires, he tries to recharge himself by duplicating the accident that gave him those powers, but to no avail. After his powers briefly return in an entomologist’s office, he invites Ultra Boy and Superboy to concentrate their heat vision powers on him, still with no effect. Heartbroken, he resigns from the Legion, just as Kranyak, his old foe, breaks prison and comes after him.

More worried than before, Sun Boy realizes what it will take to recharge his powers, and deliberately walks into the blast of a Kryptonian flame-beast. With his abilities restored, he defeats Kranyak, and rejoins the Legion. He then explains that he needed the heat-energy of a living being to restore his power, and the Ultra Boy and Superboy present are robots, sent to take those heroes’ places while they celebrate Pete Ross’s birthday in the 20th century.

Edited by Mort Weisinger.

Superman's Girl Friend Lois Lane #101

2010-03-24T16:29:00.000-07:00

Superman's Girl Friend Lois Lane #101 (On Sale: March 24, 1970) has a cover by Curt Swan and Murphy Anderson.

We begin with our cover-story,"The Super-Reckless Lois Lane" by Leo Dorfman and Irv Novick. The back-up is "The Anti-Superman Lois" from Superman's Girl Friend Lois Lane #13 and drawn by Kurt Schaffenberger. Lois Lane goes undercover as blond-haired Sadie Blodgett to get a story. Two members of the Anti-Superman Gang see her and decide to use her in a plot to kill Superman, by having her impersonate Lois Lane. The crooks train her to be Lois, while she plays dumb. The crooks pull off their scheme, but Lois had tipped off Superman. He foils their plan and captures them.

Edited by Mort Weisinger.

Girls' Love Stories #151

2010-03-24T16:22:00.000-07:00

Girls' Love Stories #151 (On Sale: March 24, 1970) has a cover attributed by GCD to John Rosenberger, but is obviously the work of the great Nick Cardy.

This issue begins with our cover-story, "The Wrong Kind of Love" drawn by John Rosenberger and Vince Colletta. Next is "Love Thief" drawn by Joe Giella. We end with "Confessions, Episode 5" drawn by John Rosenberger.

Edited by Joe Orlando.

Date With Debbi #9

2010-03-24T16:18:00.000-07:00

Date With Debbi #9 (On Sale: March 24, 1970) has a cover by I don't know.

We have four Debbi stories this issue, "The Hitchhiker," "Debbi's Secret Weapon," "Not Worth a Scent" and "Where the Action is." No creator information is available on this book.

Edited by Dick Giordano.

Three Mouseketeers #1

2010-03-19T16:01:00.000-07:00

Three Mouseketeers #1 (On Sale: March 19, 1970) has a cover by Rube Grossman.

Here is a series I don't recall ever even seeing on the stands, reprinting stories from Three Mouseketeers #1 of 1956. The stories featureing the Three Mouseketeers are "Brave Deed," "Temper, Temper," "Air-Minded," "The Explorers" and "The Problem." The final story featues Dizzy Dog and is "Say It with Music." All artwork is by Sheldon Mayer.

Edited by Dick Giordano.

Swing With Scooter #27

2010-03-19T15:55:00.000-07:00

Swing With Scooter #27 (On Sale: March 19, 1970) has a cover by Henry Scarpelli.

This issue begins with three Scooter stories: "Double Trouble," "Gift Package" and "Sylvester's Meat is Dutch Treat." It ends with two Malibu tales: "Weird Do We Go from Here?" and "It's Only Fate -- Not My Date." I have no creator information.

Edited by Joe Orlando.

Superman #226

2010-03-17T15:51:00.000-07:00

Superman #226 (On Sale: March 17, 1970) has a cover by Curt Swan and Murphy Anderson.

We begin with our cover-story, "When Superman Was King Kong" by Leo Dorfman, Curt Swan and George Roussos. The back-up is "Uncle Sam's Prize Prisoner" by Bob Haney, Curt Swan and Joe Giella.

Edited by Mort Weisinger.

Hot Wheels #2

2010-03-17T13:58:00.000-07:00

Hot Wheels #2 (On Sale: March 17, 1970) has a cover by Neal Adams.

This issue begins with "Dragstrip Disaster!!!" by Joe Gill, Alex Toth and Dick Giordano. an exceedingly well done piece of work from all involved. It is the dragstrip finals and Jack Wheeler is on the line for the Top Eliminator, but watching is Dexter Carter and his Demons and they let on that they have spiked Jack's fuel with nitro. As Jack barrels down the track his throttle is stuck wide open and he jumps into the lead when suddenly his engine erupts in flames. Jack jumps from the smoking railer as it explodes! Guessing that Dexter spiked his fuel, Jack has to hold Tank back from taking it out of Dexter's hide and Dexter challenges Jack to a no-rules race in one month at the same track.

During the next month Jack and the gang build a sweet railster, but Dexter and his goons, seeing the threat it poses, steal it and leave in it's place, an old clunker railer. With the threat of police intervention Dexter lets them check out his mansion, but Jack rod is not to be found. On the way back to their shop Jack thinks he has a way of beating Dexter at his own game.

The next day is the big race and Jack talks Dexter into betting their railers on the outcome of the race. During the prelims, Mickey Barnes and Ardeth both smoke their competition (Ardeth's being the nasty-looking woody from the cover). Before the big race a gloating Dexter reminds Jack that there are no rules in this race, only a winner.

The race begins and Dexter's railer jumps into the lead of Jack beater till Jack pushes a newly installed dashboard button and ignites the J.A.T.O. (Jet-Assisted-Take-Off) rocket packs he installed on the car the night before. With the rocket boost Jack easily beats Dexter, A dejected Dexter offers Jack his railer but Jack declines saying all he wants back is his railer that Dexter stole.

In the middle of this story was a two-page "Racing Album" on the 1953 Grand Prix of France by Jack Keller who did his only work for DC in this book.

Next is "The Mint 400, A Membership Drive!!" by I am guessing Joe Gill and drawn by Ric Estrada and Dick Giordano. Gill isn't credited, but he seems to be the only writer of record for the first three issues. The Mint 400 is a 400-mile race that takes place every year in the desert outside of Las Vegas. During a trail run, Mikey Barnes and Tank Mallory barely escape an avalanche of boulders during part of their run and when they find find Dexter and his goons in the pits they throw down. Mickey busts his knuckles on the jaw of one of the demons and the rest dog-pile on Tank. In to the fray jumps Kip Clarke, an African student who happens to be an expert on karate, and just about everything else it appears.

Kip takes the place of the injured Mickey in the race and they note that Dexter's Demons took off a bit before them so are out ahead of them on the course. Up ahead Dexter and his thugs put up some fake signs to send Kip and tank off course. It works and Kip and Tank are soon careening down a steep cliff, rumbling boulders at their back. But, Kip's skilled driving handles the problem completely and they finish the race anyway as the 4WD winner. Afterward Kip is introduced to Jack and he finds out that Kip will be staying in California, Jack offers Kip membership in the Hot Wheels, which he gladly accepts.

This is followed by a text piece (something Dick Giordano included often in the DC books) and another "Racing Album" by Jack Keller, this one on the Novi race car.

Edited by Dick Giordano.

Falling In Love #115

2010-03-17T13:03:00.000-07:00

Falling In Love #115 (On Sale: March 17, 1970) has a cover attributed to Jay Scott Pike, but I personally don't see it but the inks by Vince Colletta could be why.

This issue begins with "First Love of My Life" drawn by John Rosenberger. That is followed by "Hold on to Your Dreams" inked by Vinny Colletta. We end with "Love is Where You Find It" penciled by Artie Saaf.

Edited by Murray Boltinoff.

Adventures of Jerry Lewis #118

2010-03-17T10:56:00.000-07:00

Adventures of Jerry Lewis #118 (On Sale: March 17, 1970) has a cover by Bob Oksner.

This issue jas five Jerry Lewis short stories in it, two of them without titles. The ones with titles are "The Spaceman in Sneakers," "Eat at Your Own Risk" and "The Man-Eating Hitchhiker." I have no other information ont his book.

Edited by Murray Boltinoff.

Teen Titans #27

2010-03-12T14:34:00.000-08:00

Teen Titans #27 (On Sale: March 12, 1970) has a cover by Nick Cardy. The full-body Titans down the side of the cover appear this issue for the first time in an act of extremely strange timing. We all remember last issue's cover where Wonder Girl says they will, "never wear their costumes again!" and the next issue they become a feature of the cover. I guess it could have been worse had these body-shots premiered last issue.

This issue we have "Nightmare in Space" by Robert Kanigher and Nick Cardy. Now, some people attribute the pencils on this one to George Tuska and Carmine Infantino (GCD even tells you which pages Carmine penciled), but all you have to do is look at the artwork to see that Carmine Infantino and George Tuska had nothing to do with this book. Also, Nick Cardy sure seems to think he drew the whole thing as noted in the checklist in The Art of Nick Cardy. I can see why people would want to take credit for this book though, as the artwork is wonderful throughout.

This story left me very conflicted in 1970 and I'll tell you why. First off, I was a grade A, number one space nerd. I watched every launch and reentry of every Mercury, Gemini and Apollo mission (my mother thinking it was better for me to see history happening than to read about it in school). I belonged to the "Space Club" at school and flew model rockets. I even designed my own model rocket LM (Lunar Module) that I actually got off the ground. My point being, I was very jazzed about all things that were space. But the "space" that I was jazzed about was very different from the "space" of comic books, what with Superman and Green Lantern and Hawkman zipping about all the time, just to name a few. Comic book space was always very different from real space and when they tried to do real space in comic books they usually goofed it up really bad. So where does this story fit into that scenario?

"Nightmare in Space" is maybe the most realistic portrayal of "space" I ever read in a comic book and the whole time I am reading it I am thinking, "Yeah, but if things go really bad they can somehow contact Superman or Green Lantern and they can fly out to save them!" which totally destroys the universe this story attempts to play in. The problem is the universe this story plays in is not the DC Comics universe. It is a hell of a great attempt at a real space story in a DC comic book and when it fails it is because it is a real space story in a DC comic book.

But for a space nerd in 1970, man was this something to read (and I don't often say nice things about Robert Kanigher stories)!

The de-uniformed Teen titans have been training with Mr. Jupiter and their newest member, Mal has done a Dr. Smith and stowawayed on board Jupiter's supposedly unmanned ship to Venus. The Titans and Jupiter have been working round the clock to get a rescue mission going and in a few day's time the Venus Chaser launches with the Titans as crew. On their way to the Moon the Titans lose contact with Mal but continue on their journey.

The mission is complicated. The first objective is to get to the Moon where Dove will stay in the Command Module (CM) while Speedy, Wonder Girl and Hawk take the Lunar Module (LM) down to the moon to check on experimental packages left by Apollo 11 and Kid Flash and Lilith man the Venus Probe Chaser going after Mal. Eventually everyone has to rendezvous above the moon with Dove in the Command Module for the return trip to Earth. The Cardy artwork on this stuff is just spectacular, particularly on the lunar landing.

The first real problem we have is with the lunar landing party. They land fine, but there is no sign of the equipment, or anything for that matter, left by Apollo 11. While Wonder Girl works on a bent landing probe rod, Speedy, and Hawk take a moonwalk scouting for signs of Apollo 11. They find nothing but when they get back to the LM they find Wonder Girl is missing.

Meanwhile on the Venus Probe Chaser they locate Mal's ship and though it is touch and go for a bit, including broken tethers and such, they are able to transfer Mal from the Venus Space Probe, which will go on with it's unmanned mission, to the chaser ship.

Back on the moon these glowing creatures (see the cover for details), show up with Wonder Girl in tow. They are alien creatures who crash landed on the moon and were using the Apollo 11 lunar packages as spare parts to try and repair their damaged ship. Wonder Girl has convinced them to put everything back the way it was and that the next Apollo mission will be there soon and will provide assistance to the aliens.

The Venus Probe Chaser docks with the CM and soon the three on the moon are blasting off in the LM to do the same. All goes well with the docking and the Titans head back for Earth. But at some point they all go mad and begin attacking each other but luckily Kid Flash notices that their is a malfunction in the oxygen mix and corrects their nitrogen intake, ending their hallucinations. This story was reprinted in Showcase Presents: Teen Titans Vol. 2 TPB.

Thirty days after this issue hit the stands, on April 11, 1970, Apollo 13 launched from the Kennedy Space Center in Florida.

Edited by Dick Giordano.

Strange Adventures #224

2010-03-12T12:52:00.000-08:00

Strange Adventures #224 (On Sale: March 12, 1970) has an Adam Strange cover by Murphy Anderson.

This issue begins with Adam Strange in "The Weapon That Swallowed Men" by Gardner Fox, Carmine Infantino and Murphy Anderson and reprinted from Mystery In Space #63. Rann is invaded by alien conquerors using a device called the vacuumizer which changes the Ranagarans into a gas vapor. Adam Strange is altered by the weapon, but returns to Earth intact when the Zeta Beam wears off. When he returns Adam finds that the people have been restored but the aliens have uses the weapons to steal the city of Ranagar itself.

Adam believes that the vacuumizer can only transmute one substance at a time, so he devises a plan to stop the aliens. As Adam and several Ranagaran soldiers approach the invaders, the vacuumizer is used against them, but they have coated themselves with different liquid metals. The vacuumizer must be adjusted to deal with each layer of metal. The delay gives the defenders enough time to catch the aliens and defeat them hand-to-hand. With the vacuumizers in the hands of the Ranagarans, Ranagar is restored, and the aliens leave Rann.

Next is "The Planet That Advanced Backward" from Mystery In Space #41 by Bill Finger, Sid Greene and Bernard Sachs.

We end the issue with the Atomic Knights in "Attack of the Giant Dogs" by John Broome and Murphy Anderson from Strange Adventures #138. After finding two giant dalmatians that survived the war inside a test rocket, the Atomic Knights return to Durvale. The town is attacked by Khagan and the Atlantides. Gardner and the other Knights chase them off, but not before Hollis and Douglas are injured.

Gardner decides to mount a counterattack against the Atlantides. He uses the dogs to track them down, then he and Wayne use them as mounts to defeat the enemy soldiers. The Atlantide menace is finally ended. The town welcomes the dogs for their part in the victory. The dogs soon have puppies, that may eventually grow into giants too.

Edited by Julius Schwartz.

Phantom Stranger #7

2010-03-12T09:40:00.000-08:00

Phantom Stranger #7 (On Sale: March 12, 1970) has a great cover by Neal Adams. this is the second issue to use the Phantom Stranger as a passive part of the background, as a force maybe not controlling events, but watching them unfold.

This issue features "The Curse" by Robert Kanigher and Jim Aparo and the real news here is that in Jim Aparo the Phantom Stranger has found a champion, someone who will stay with the character as it develops and someone who as their own talent is exploding pushed that dynamic and exciting energy into the character. It is the perfect match. On one hand you have a character DC is trying to revive but having some conflicting issues on what direction the revived character should take, given the ever-changing environment of comics in 1970 and on the other you have an artist coming into his own, a burgeoning talent looking for an outlet in which to mature. A match made in heaven or wherever the Phantom Stranger comes from.

Since we still have Robert Kanigher we still have the loopy "teenagers" and Tala and multiple stories of no consequence and Dr. Thirteen saying the same lame dialog over and over. But, as it did with Neal Adams' artwork a few issues ago, it all goes down much better with Jim Aparo's wonderful dark and gloomy illustrations.

Jim Aparo's Phantom Stranger has that sort of domino mask like another character called the Phantom which Aparo was known to draw from time to time, but his pages and panels are much darker than the work he did on that other Phantom. His panels here are dense and full of detail and loaded with dark and unsettling corners where god knows what may be lurking. There is a rich yet claustrophobic feeling to the artwork in this book, very much at odds with the open feeling you get from his Aquaman pages of the same time. His visual voice fully secured in Aparo's hands, this is the point where the Phantom Stranger finally took root.

So the "teenagers" have come to the town of Seaview in search of Vulcan's Castle, invited by Vanessa Vulcan a chick they met at a folk festival. No one will rent them a boat but they find one unattended and decide to avail themselves of its services. It has a strange black sail, but that doesn't deter them. However, once at sea the sail turns into Tala and deserts them and the sea turns into a giant whirlpool and sucks them down to their deaths. Oh, so we hoped! The Phantom Stranger shows up and plays with Tala for a bit then saves the kids. When they get back to the surface, Dr. Thirteen arrives in time to call the Stranger a "stage charlatan" and to let us know that he is also going to Vulcan's Castle because billionaire Andrew Vulcan has hired him to break a curse which torments his daughter.

They all arrive at the castle in time to meet Vulcan, his gardener Thomas and to see Tala lure Vanessa off one of the ramparts to the peaceful "embrace" of the sea. The Stranger is there once again to save Vanessa and be called a "stunt man" by Dr. Thirteen. We learn that the supposed curse began when Vulcan bought the castle from old bankrupt Count Druga in Transylvania who said the curse would follow the castle across the sea. Dr. Thirteen then tells a story of a fake curse that he exposed, which includes the pretty cool scene from the cover of the tree branches attacking Dr. Thirteen himself. "The Curse of Shaft Seven" has to do with a cursed coal mine which was actually being haunted by the brother of a dead miner.

The Phantom Stranger then tells his story, "The Curse of the Sea Siren!" about a ship haunted by the figurehead on the ship (which bears more than a passing resemblance to Tala) and how the ship really was cursed. After those plot stretchers (and I give them such short shift because that is what they obviously are) we return to the real story and Vanessa and the curse that befalls anyone who loves her.

It started with Nicholas, son of Thomas the gardener we met earlier. Nicholas and Vanessa grew up together as children but as they grew older Vanessa became interested in other men and Nicholas wanted Vanessa to himself. One night Nicholas poisons himself and on his deathbed curses anyone who so much as kisses Vanessa (don't know why we had the Count Druga story if this is the cause of the curse!). Since then it has been one Lifetime Move of the Week romantic tragedy after another for Vanessa. Lee accidentally shot himself on their wedding day, Michael's boat was capsized at sea, William was thrown from his horse. Dr. Thirteen calls them all coincidences, but the Phantom Stranger sees something else.

He has Nicholas's body exhumed and though Dr. Thirteen proclaims him dead, the Stranger notes that he perspires quite a lot for a dead man. Thomas rushes in and commands Nicholas to awaken and to kill the Phantom Stranger for exposing their secret. Nicholas tries to kill Vanessa first, but one of the teenagers (where did they go during this story?) knocks her out of the way and Dr. Thirteen takes one in the arm. The Phantom Stranger explains to us that Thomas, in a fit of rage over Vulcan having so much and he having so little, placed his son into a hypnotic trance, simulating death, and would call him from his coffin to "off" Vanessa's beaus. But the power to do so was given to Thomas by none other than Tala.

Nicholas attacks the Stranger and falls to his death, Tala beats a hasty retreat, Dr. Thirteen says the whole thing was just coincidences and Nicolas was in too deep of a trance to do any of the killings and the Stranger says, "you be the judge of--The Curse!" We won't even attempt to go through all the holes in this one, just know that Aparo's artwork somehow makes all of this total nonsense work. Oh, and also know that it is reprinted in Showcase Presents Phantom Stranger Vol. 1 TPB.

Edited by Joe Orlando.

World's Finest Comics #193

2010-03-10T18:03:00.000-08:00

World's Finest Comics #193 (On Sale: March 10, 1970) has a cover by Curt Swan and Murphy Anderson.

This issue begins with Superman and Batman in "The Breaking of Superman and Batman" by Bob Haney, Ross Andru and Mike Esposito. The back-up story stars Robin and is from Star Spangled Comics #120 and is drawn by Jim Mooney.

Edited by Mort Weisinger.

2010-03-10T17:37:00.000-08:00

Showcase #90 (On Sale: March 10, 1970) has a Jason's Quest cover by Mike Sekowsky and Dick Giordano.

This issue begins with Jason's Quest in "The Circle of Death" written and penciled by Mike Sekowsky and inked by Jack Abel. Continuing from last issue, Tuborg has put the word out on the streets of Paris to find Jason and his sister and they do. Jason has bought a new guitar and is picking up a little extra cash playing in a club in town when in walks Jason's sister. Jason is shocked that she knows his name and then finds out that she was GG, the girl from the ferry, as she looks so different without her wig and makeup on.

As Jason tries to tell her he is her brother, the guy GG came to the club with attacks Jason for making a move on his girl at about the same time that Tuborg's men move in for the kill. Jason grabs GG and they head out the back and into the streets. Eventually they meet artist Andy and with his help get away from Tuborg's men. Just as Jason is about to tell GG they ware brother and sister more of Tuborg's men show up and they head off once again, once again meeting Andy who takes them to his second studio where a group of "friends" are making signs for a big protest tomorrow.

The next morning Jason and GG join the protest and Jason decides the safest place for them to be is in jail, so he smacks a French cop with a protest sign and he and GG are arrested. But Andy and his friends hijack the police van they are being carried in and "rescue" Jason and GG. Though they get away from the police, Tuborg's men are still on their trail.

Eventually Jason and GG make it to a warehouse and a room full of mannequins. Putting GG's clothes on one of the mannequins and strapping it to the back of his bike, Jason lures Tuborg's men away from GG and tells her to meet him tomorrow at noon under the Eiffel Tower. But GG has other ideas, "If I ever see that crazy man again--I'll take off in the opposite direction as fast as I can go! What a kook! And those friends of his--they're worse than he is! goodbye -- and good riddance!"

I really liked Jason's Quest and was sorry that this was the last issue. My good friend Tony Isabella also liked the strip as there is a long letter from on on the letter page.

Next is a on-page ad from Manhunter 2070 in the next issue of Showcase and that is followed by "Incident on Krobar 3" a two-page Manhunter 2070 story by Mike Sekowsky and Dick Giordano.

Edited by Mike Sekowsky.

Justice League of America #80

2010-03-10T10:35:00.000-08:00

Justice League of America #80 (On Sale: March 10, 1970) has cover by Murphy Anderson.

"Night of the Soul-Stealer" is by Denny O'Neil, Dick Dillin and Joe Giella. The Flash finds Hawkgirl floating in space outside the JLA headquarters and when the other JLAers arrive Atom relates how Hawkman and Hawkgirl were taking the deranged Jean Loring to Thanagar in hopes of curing her mental problems. When Hawkgirl revives she is in a vegetative state. The team breaks up, Batman and Green Arrow head for Midway City, Superman heads for Thanagar, Atom and The Flash head for the Grand Canyon where there is some sort of disturbance and Black Canary gets to cool her heels in the JLA satellite.

At the Grand Canyon the annual Boy Scout Jamboree is going very wrong as the boys are all mindlessly walking towards the edge of the canyon to do the big drop. Flash builds a barrier between the canyon and the kids and they learn that the kids were fine until a creature on a flying broomstick passed overhead.

In Midway City while looking for Hawkman Batman and Green Arrow see a creature riding over the city on what looks like a rocket-powered broomstick. Arrow brings the rider down and in the ensuing scuffle with Batman the rider drops a box he is holding. He makes quick work of both Batman and Green Arrow and as he is about to leave comments that had he not damaged his Ghenna Box he would of added their souls to his collection. Oh and we also learn that his name is Norch Lor and he is on some kind of mission.

Meanwhile, out in space Superman finds Hawkman's ship about to be eaten by a neutron star. Using all his strength he is able to pull the ship from the star's gravitational grasp. Someone we don't see come upon the exhausted Superman and whacks him but good!

Back at JLA headquarters Canary is practicing her sonic wave power when Batman and Green Arrow arrive. Batman has a patch he ripped off of Norch Lor's uniform and the JLA computer says the patch is from Thanagar. Because of Hawkman, the JLA computer is programmed to ignore Thanagarian ships and once Batman adjusts the programming they see the alien ship. However, Norch Lor is at that moment cutting through the wall of the JLA headquarters. Luckily Black Canary is able to reach the switch for the emergency sealer before they are all sucked out into space, but now that Norch is inside the HQ, he opens the Ghenna Box and steals the JLA member's souls.

At the some time on OA, Green Lantern has been summoned by the Guardians who explain that they dispatched the Green Lantern of Xudar, Tomar-Re, to a Thanagarian ship that was under attack. the Green Lantern found a Kryptonian there and thinking he was the attacker, took him out. In minutes Green Lantern is on the scene and he and Tomar-Re take the unconscious Superman inside of Hawkman's ship where they find Hawkman and Jean Loring in a state of mindlessness. Playing back the ship's records they see that they answered a distress signal from another Thanagarian ship and rescued it's pilot, but the pilot opened up a strange box he carried with him and the Hawkman, Hawkgirl and Jean were all incapacitate.

As he was leaving the ship the pilot, Norch Lor, said that they will thank him some day as the signs all point to the end of the universe and only the Ghenna Box and preserve the identity, the soul of beings. As Norch left the ship, Hawkgirl's body drifted out with him and moments later the ship "drifted into space-warp and was carried to its present location" whatever that means.

The two Green Lanterns and a revived Superman head for Thanagar in search of Norch Lor. But back at the JLA headquarters where Norch really is, Black Canary was not affected by the Ghenna Box, perhaps protected by her sonic power and she attacks Norch just as Flash and the Atom show up. Between the three of them they are able to take care of Norch and rescue the Ghenna Box. When the others return the box is opened and everyone's souls return to them. Kind of a confusing story, requiring a lot of coincidences to make it work. It has been reprinted in Justice League of America Archives Vol. 9 HC and Showcase Presents: Justice League of America Vol. 4 TPB.

Edited by Julius Schwartz.

Tomahawk #128

2010-03-05T07:44:00.000-08:00

Tomahawk #128 (On Sale: March 5, 1970) has cover by Neal Adams. The layout of this one seems forced; the medicine man and the archers too squeezed into the picture and the coloring somewhat off-putting.

This issue begins with Tomahawk in "Rangers -- Your 9 Lives for Mine" by Robert Kanigher and Frank Thorne. The back-up Tomahawk story is "Stovepipe's Secret Skirmish" by George Kashdan and Frank Thorne.

Edited by Murray Boltinoff.

Superboy #165

2010-03-05T07:30:00.000-08:00

Superboy #165 (On Sale: March 5, 1970) has cover by Curt Swan and Murphy Anderson.

This issue begins with "The Super-Dog from Krypton" by Otto Binder, Curt Swan and John Fishetti and reprinted from Adventure Comics #210. This story tells the origin of Krypto, Superboy's dog. Superboy encounters a super powered dog on the streets of Smallville. The dog seems to recognize him and is friendly. Superboy follows the dog to a rocket that has recently crashed on Earth. Inside the rocket he finds papers which reveal that the dog came from Krypton. The dog was sent into space by Jor-El to test a rocket which was deflected by a meteor. The dog, Krypto, belonged to Kal-El as a baby. Krypto's ship eventually made its way to Earth.

Superboy is thrilled to have his dog back. However, Krypto's frisky nature and super powers cause several problems for Superboy including threatening his secret identity. Superboy constructs a super doghouse for Krypto, but the dog is easily able to free himself.

Eventually Krypto takes off into space to chase meteors. Superboy is happy that he won't have to deal with Krypto's antics anymore, but he is sad that his friend is gone.

Next we have "Superboy's Last Day" by Otto Binder and George Papp and reprinted from Adventure Comics #251. This story tells of Superboy's first encounter with Kryptonite. While cleaning house, Clark Kent recalls how one of his Superboy robots saved his life. Many years before, Pa Kent brought home a green glowing rock for Clark’s mineral collection. Clark immediately took ill and was on his deathbed. To replace him as Superboy, a recently constructed Superboy robot was sent out controlled by Jonathan.

When the robot returned, it inadvertently stepped in front of the Kryptonite. Being made of lead, the robot blocked the radiation. Superboy recovered but relapsed when the robot moved away. Pa Kent realizes that the rock must be responsible and places it inside the robot. Superboy recovers and learns that the rock was Kryptonite, a fragment of his home planet, which is deadly to him.

This is followed by "The Girl Who Saw the Future Superboy" by Jerry Coleman and Al Plastino and reprinted from Superboy #90. While helping her father clean a scientist’s lab, Lana accidentally activates a machine that allows her to see the future. Although the image only lasts for a moment, Lana sees Superman and his girlfriend, Lois Lane. Lana become jealous and tries to alter fate by getting Lois to enter a different career.

Lana visits Lois’s school and tries to sabotage Lois’s attempts to join the school paper. Failing in that, Lana tries to get Lois to pursue a career in science and later, sculpture. Each attempt fails due to the Unbeknownst actions of Superboy and Krypto.

Next we have "The Phantom Superboy" by Robert Bernstein and George Papp and reprinted from Adventure Comics #283. This is the first appearance of the Phantom Zone. Professor Lang discovers a box of Kryptonian weapons which he delivers to Superboy. While Superboy examines and tests the weapons, he is accidentally sent into the Phantom Zone, a dimension which exists near ours in which beings can only exist in a ghostly state. Kryptonian criminals were banished here before the destruction of the planet.

Unable to be seen or heard Superboy can not communicate with anyone in his own dimension. Eventually he discovers that his super thought is enough to activate an electric typewriter on which he types a message to Pa Kent. Jonathan rescues Superboy from the Zone, and then the Boy of Steel disposes of the box of weapons.

We end with "The Death of Ma and Pa Kent" by Leo Dorfman and Al Plastino and reprinted from Superman #161. While on vacation in the Caribbean, Jonathan and Martha Kent find a buried pirate’s treasure. The chest contains a scrap from the diary of Pegleg Morgan and presents them a mystery. Superboy carries them into the past to learn how Pegleg was stranded on the island by Blackbeard the Pirate.

When they return to present-day Smallville, the Kents become ill from jungle fever. Doctors are unable to find the cure, and Superboy is likewise helpless. Superboy tries to send them to the Phantom Zone, but solar flares prevent the projector from functioning.

Without a cure, the Kents die. Superboy blames himself for their deaths and gives up his Superboy career. He donates their money to charity, maintaining their house and store for himself. When searching through his father’s belongings he finds the diary scrap and learns that the chest the Kents found in the sand was the actually source of their illness. Relieved that his time-trip was not responsible for the death of his parents, Superboy resumes his career and treasures the memory of his Earth parents.

Edited by E. Nelson Bridwell.

Binky's Buddies #9

2010-03-05T07:24:00.000-08:00

Binky's Buddies #9 (On Sale: March 5, 1970) has cover by Henry Scarpelli.

This issue begins with Binky's Buddies in "Binky Keeps His Cool." Next is Benny in "Monkey Business" by John Albano, Winslow Mortimer and Henry Scarpelli, which was reprinted in Binky #81 and Best of DC #45. We end with Binky's Buddies in "Run, Mudder, Run" by John Albano, Winslow Mortimer and Henry Scarpelli, which was reprinted in Best of DC #39.

Edited by Joe Orlando.

Young Love #80

2010-03-03T14:23:00.000-08:00

Young Love #80 (On Sale: March 3, 1970) has cover not by Bob Oksner and Vinny Colletta as reported elsewhere, but surely inked by Dick Giordano.

This issue begins with "3 Loves... 1 Broken Heart." That is followed by "The Wrong Boy." We end with our cover-story
"Love Me a Little Longer."

Edited by Dick Giordano.

Our Fighting Forces #125

2010-03-03T14:16:00.000-08:00

Our Fighting Forces #125 (On Sale: March 3, 1970) has a Losers cover by Joe Kubert

We begin with our cover-story, the Losers in "Daughters of Death" by Robert Kanigher, Ross Andru and Mike Esposito. Finally, a book I don't own!

That is followed by "Too Much G.I." from All-American Men of War #60 by Bob Haney and Russ Heath. We end with "The Browning Shot" another story of the U.S.S. Stevens by Sam Glanzman.

Edited by Joe Kubert.

Our Army at War #219

2010-03-03T13:44:00.000-08:00

Our Army at War #219 (On Sale: March 3, 1970) has a Sgt. Rock cover by Joe Kubert.

This issue begins with our cover-story "Yesterday's Hero" drawn by Russ Heath. The new replacement in Easy Co. is Duncan, PFC, who is called the "Hero of Baker Co." Duncan was the first of his company to land at Omaha Beach. The last time his company went out of patrol he was the only one to return.

When Easy Co. goes out on their first mission. to hold a crossroads town, Duncan says the he will do his part, but that he, "won't be responsible for anybody else's skin!" In town they are attacked and Easy responds but Duncan holds back. Confronted by Rock, Duncan breaks down and says that he is no hero. He is too scared to think about others and is just trying to save his own skin.

Rock puts Duncan in a bell town to keep his eyes peeled for Nazis and later that night he sees their dust as they approach. two King Tiger tanks heading straight for the town. Rock tells Duncan to sit tight and stay low in the tower and Easy will take care of the tanks, but instead Duncan draws their fire allowing Easy to take them out. they find Duncan in the rubble of the tower, no worse for wear.

This story was interrupted by a Battle Album on the "Choppers of Viet Nam" drawn by Murphy Anderson.

The book ends with a story of the Civil war, "Follow Sgt. Gruggles" drawn by Fred Ray. Private Tom Cort is following Sgt. Gruggles into battle against the Confederates when he is whacked across the chest with a rifle barrel and about to be stabbed by a rebel. He is saved by Sgt. Gruggles. Hours later after they win the battle Cort says that he was wounded by the smack in the chest and needs to go back for medical help. Gruggles says that the only way he is going to the back of the lines is in a pine box and so he just better get ready for tomorrows assault on Missionary Ridge.

During the next day's assault, Sgt. Gruggles is shot and he and Cort and some of the others are captured by the Rebels and taken to Gray Valley Prison. there Gruggles hatches an escape plan, but they need a diversion and Cort knows that since he is not wounded he is the only one strong enough to "divert the rebs." Tom creates the diversion and holds the Rebels at bay as the men escape, but eventually the sound of his guns stop and he has proven that he did have courage after all.

Edited by Joe Kubert.

House of Mystery #186

2010-03-03T11:36:00.000-08:00

House of Mystery #186 (On Sale: March 3, 1970) has a very nice cover by Neal Adams.

This issue begins with our "The Secret of the Egyptian Cat" by Robert Kanigher and Bernie Wrightson. Cain is complaining about the caterwauling of the cat belonging to one of his boarders. Mr. Konassos, when said cat makes an appearance. As he stares into the cat's eyes it turns into a beautiful young girl who says that she was once a priestess in an Egyptian temple.

One night the man Cain knows a Mr. Konassos came to the temple and bespoke of his lust for the priestess. Guards arrive and throw Konassos out, but he returns the next day with magical potions to take care of the guards and a spell that turns the priestess into a cat. And so he kept her through time as they wandered the world together till one day they came to the House of Mystery and Mr. Cain.

At night Isha the cat would sneak out and wail her troubles into the night. Only the wild cats of the woods would answer her call and one of them, Ra-Na became her protector, keeping the other cats at bay. But Konassos saw them together and killed Ra-Na with some poisoned milk. One night Konassos drank himself into a stupor and forgot to lock up his potions. Isha dug through them finding just what she was looking for and dripping the potion onto a scarf she had her revenge.

When Konassos awoke Isha was once again a beautiful woman, but he on the other hand had been transformed into a mouse. And Isha let in Ra-Na's friends from the woods. Cain calls Isha's revenge, "purrfect!" This story has been reprinted in Limited Collectors' Edition C-23, Masterworks Series of Great Comic Book Artists #3, Welcome Back to the House of Mystery #1 and Showcase Presents: The House of Mystery Vol. 1 TPB.

It is followed by a Room 13 page and a two-page Cain's Game Room both by Sergio Aragones.

Next is our cover-story "Nightmare" by Jack Oleck and Neal Adams.Little Judy is a lonely rich girl but in the yard of the estate she lives in the statue of Pan comes alive and plays with her, or so it seems to her. Not to her governess though nor her father. Her nights are filled with the joy of playing with Pan, but during the day she lays in bed, stricken with a fever. When she does get to see Pan again he takes her to a beautiful place of unicorns and fairies but warns her never to go beyond a wall, "There are bad things on the other side. You must never go through the door. Never!"

But Pan fades away and she is back in bed, her fever getting worse by the day. But for Judy, the world of Pan is the only reality. One day Pan takes a nap during their play and Judy opens the door in the wall. She is transported to a realm of hideous creatures who pursue her leading her toward a fire. Alone amidst the hot flames she is rescued by Pan only to awaken in her bed, her terrific fever finally broken. Her father explains that it was all a dream of hers, a way to escape the pain of the fever and he shows her that Pan is not real, but a statue of stone. And she touches the statue and she knows it is true and she walks away and never looks back as the statue of Pan cries.

Great story of the loss of innocence and childhood, wonderfully told and justifiably reprinted in Limited Collectors' Edition C-23, DC Special Blue Ribbon Digest #17, Welcome Back to the House of Mystery #1 and Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Flash #197

2010-03-03T07:31:00.000-08:00

Flash #197 (On Sale: March 3, 1970) has a cool cover by Gil Kane, which only makes the ungodly inks of Vince Colletta inside this book all the more unpalatable (and please Dan, don't make up yet another fake identity to tell me how wonderful Vinnie's dreadful inks were. I'm looking at them right now; they were a nightmare!). This cover does beg the one question (maybe not a great question) I have always had regarding the Flash. OK, so somehow he fits this entire costume, with hard-soled boots and all, into his ring. If this was such a great thing, why did he never share it with other DC heroes who had to find inconvenient ways of bringing their costume along with them?

This issue begins with our cover-story "Four Star Super-Hero" by Mike Friedrich, Gil Kane and Vinnie Colletta. This story is based on an interesting idea, how people who work together have silent communication, in this case Detective Charlie Conwell and Barry Allen. When Charlie solves a case he tugs at his ear and Barry touches the tip of his nose as a way of saying "nice going!" It is non-verbal and instinctive between the two of them.

After an overnight snow storm the Ice King is on skis hitting a bunch of jewelry stores when the Flash shows up and takes him out, But after he crashes to the snow he is not moving and his heart is not beating. An ambulance shows up and takes the Ice King away, but a few blocks later we see that the ambulance is a fake and the Ice King has turned off his pacemaker to simulate death (OK, so pacemakers don't work that way, but Friedrich obviously didn't know that). back at the scene of the crime Charlie shows up and asks Flash how the ambulance showed up so quickly. Flash replies that he was too stunned to think straight at which Charlie tugs at his ear and proclaims, "The ambulance was a cover for Ice's getaway!" Out of reflex Flash touches the tip of his nose as Charlie stares at him. Realizing his mistake Flash tried to cover up by faking a sneeze, but Charlie is now wondering about the Flash.

The next morning Barry finds out that wife Iris has been made the temporary drama critic for Picture News and she suggests that Barry get involved in the local drama scene., which he does getting a part in the local production of Hamlet. the morning of their opening night the entire cast, except Barry comes down with some sort of virus and as the Flash Barry suggests to director (and curator of the Flash Museum, Dexter Myles, that he can do the entire performance on his own.

Dexter reluctantly agrees and that night the Flash, moving at super-speed, plays all of the parts in Hamlet. During the curtain call he reveals that he is the Flash. Afterward however, he begins to feel ill, just as Ice and his gang, disguised as cops show up. In the middle of a violent seizure due to the virus now attacking his body the Flash is in no condition to take on Ice and his gang, who beat the crap out of him. However, once rested Flash is back in action and takes out the gang.
The next day Charlie Conwell comes to visit the ill Barry Allen at his home and sees that Barry is being visited by the Flash, which is of course Barry moving at super-speed again and looking as if he is two separate people.

The back-up story is "To the Nth Degree" by Robert Kanigher, Gil Kane and Vinnie Colletta. Professor Ira West creates a breakthrough telescope that can pierce hyper-space and allow one to see stars thousands of light-years away as they exist today.The professor is sending the telescope to the Astronomical Society and an amateur telescope to son-in-law Barry Allen, but he gets the labels mixed up and Barry gets the "hyper-scope"

Through the "hyper-scope" Barry sees an inhabited planet in the process of exploding and uses the scope to transport himself to the planet where he is able to stop the explosion and save the aliens. Once back home Professor West shows up to pick up his scope, realizing the shipping mistake he had made. But the Professor drops the scope and shatters the special lens, but says not to worry as he "wrote all the data I need to grind a duplicate lens on a wall in my lab."

Returning to his lab though he finds that the painters have just finished repainting the wall and secret of the Nth Degree lens is lost forever.

Edited by Julius Schwartz.

Batman #221

2010-03-03T07:23:00.000-08:00

Batman #221 (On Sale: March 3, 1970) has cover by Neal Adams, and what a cover. This is another one of those that I would stare at for hours and think, "Yeah, this is Batman!"

This issue begins with our cover-story "A Bat-Death for Batman" by Frank Robbins, Irv Novick and Dick Giordano. This story is not nearly as exciting or moody as the cover and it could have been. Novick really needed to get some more blacks into the work and the coloring provides no mood whatsoever, relying heavily on stale blocks of orange and green. The story begins with strange goings on along the Rhine River in Germany. A man is devoured in the water by killer trout and a farmer is attacked by rampaging oxen. As luck, or the story would have it, Bruce Wayne is visiting Baron Willi Von Ritter, head of Biochem-Fabrik, Ltd, a chemical company on the Rhine.

Von Ritter lives in Fledermaus Castle, created in the shape of a giant Bat. Von Ritter and his company were cleared of accusations of conspiracy with the Nazis, but he refuses to cooperate with health inspectors who are investigating the strange animal activities. Once at the castle Bruce meets Von Ritter's wife Ilga and his head bio-chemist, Professor Otto Kramm.

That night as Batman, Bruce does a little reconnoitering of the castle's underground maze. There he finds a masked man egging on a lion to fight. The lions attacker? A lamb! The masked man says that he has synthesized the essential chemical elements that trigger the killer instinct in predators and that some of it accidentally overflowed into the Rhine. He plans on using the serum to see that Germany does not fail next time because its armies will possess the primal killer instincts of predators. With that the masked man traps Batman in the room and lets loose some bats which have been exposed to the serum.

Leaving Batman to his fate the masked man takes off his protective mask to reveal Otto Kramm as Ilga brings in the valet to be used as the first human test subject for the serum. However, before they can administer the serum, Batman shows up and Ilga injects Otto with the serum. Once infected Otto turns on Ilga for hurting him and Batman has to jump in to save her. In the ensuing fight Otto is thrown into the pit with the killer lamb and is killed by it.

Ilga is dying but wants to know how Batman escaped the bats and he explains that he used a wadded up piece of tin foil, ripped into strips to confuse the bats sonar and escape. OK, not much of a story here.

The back-up Batman story is "Hot Time in Gotham Town Tonight" by Mike Friedrich, Irv Novick and Dick Giordano. There is a heat wave in Gotham City and the fire department keeps being sent out on false alarms. On their way back from one such false alarm a truck gets a call of a fire in his own building. When they get there the place is in flames and a woman is yelling that her baby is trapped inside. Just then Batman is seen repelling down the side of the building, child in hand. Watching the spectacle are a couple of teenage kids who wonder what would have happened if that had been their kid sister in the fire. They decide to turn themselves in for calling in the false alarms.

Meanwhile, back at the fire the fire inspector says to the fireman that "All signs point toward the firs starting in your apartment Frank!" When they go upstairs they see that the door to Frank's apartment is not burned at all. Inside they find Frank's brother Joey who says he was just polishing an idol he brought back with him from Viet Nam. One of the firemen try to touch the idol and says he is overpowered by the feeling of evil it is generating. It begins to glow and some strange rays flash out from its eyes and suddenly Batman is there racing toward the idol.

He picks it up and with great effort tosses it out of the window where it shatters on the ground below. Once it does the eerie feeling disappears, along with Batman. The closing caption reads: "For the natural violence of life there is always the fireman! For the supernatural violence of life there is always the Batman!" Strange take and one of the first to give Batman some heretofore unknown ability to battle the supernatural. Not a great story, but it points the way that DC was moving and the way they were positioning the Batman. Reprinted in Limited Collectors' Edition C-25.

Edited by Julius Schwartz.

Wonder Woman #188

2010-02-26T12:16:00.000-08:00

Wonder Woman #188 (On Sale: February 26, 1970) has a cover by Mike Sekowsky and Dick Giordano that is a wonderful return to the heavy bondage roots of classic Golden Age Wonder Woman covers.

We begin with our cover-story "Cyber's Revenge" written and penciled by Mike Sekowsky and inked by Dick Giordano. Continuing from last issue, Diana and Ching have been pulled from the waters of Hong Kong Harbor as the Junk that was the headquarters of Dr. Cyber burns. The badly burned Cyber and her associate Lu Shan, maybe I Ching's daughter, escaped with a new power source to be used to power Cyber's earthquaker devices. Ching was shot by Lu Shan and is rushed to the hospital, while Diana and Patrick McGuire meet at the police station and go over the events thus far.

Suddenly Hong Kong is hit by an earthquake and Diana and Patrick head for the streets where they are shot at by a strange car carrying Lu Shan and a assortment of Cyber henchmen. They escape Cyber's people by hiding under some wreckage, when another quake hits Patrick is knocked unconscious. Meanwhile Cyber sends a message to the wold that she must be declared supreme ruler of Earth or she will level every city on the planet with her earthquakers.

Lu Shan and her thugs locate Diana but she overpowers her and chases off the thugs and "convinces" Lu Shan to show them where one of the earthquakers is located. However, suspecting a trap, Diana wants Lu Shan to throw the power switch to turn off the machine and when she refuses Diana once again overpowers her. Eventually Lu Shan is convinced to turn off the earthquakers safely, bypassing the self-destruct feature that she was hoping would catch Diana.

Back at the inspector's office, Diana gets the location of the other earthquakers out of Lu Shan and while the inspector's men go after most of the machine, Diana and Patrick take the last one themselves. They race across the destroyed city to the location of the final earthquaker as it is turned on once again. They make it into the facility but run afoul of a trap door.

When they awaken they are chained to the ceiling and a heavily bandaged Dr. Cyber is there. She removes her bandages and shows Diana the mess she made of her face. Diana turns her face away from the sight and Cyber grabs her and turns Diana toward her. Which is what Diana hoped she would do, come in close enough so that Diana could knock her out with a swift kick to the face. Using the training she was taught by I Ching Diana is able to free herself but then is attacked by Cyber's personal guards, whom she quickly defeats.

As Diana frees Patrick Cyber awakens and attacks her with a sword, but Diana uses the chains to keep Cyber at bay and knock her into a power supply on the earthquaker. As Cyber fries, she pushes the self-destruct button. Diana and Patrick barely make it out alive. From hiding we see Lu Shan, vowing to get revenge. Diana and Patrick then begin helping those wounded in the quakes.

Days later she and Patrick make it to the hospital to check in on I Ching only to find that he is gone. A visitor came to his room and spoke something of Lu Shan and how she had crossed the border into Red China. Ching seems to have followed her. Reprinted in Diana Prince:Wonder Woman Vol. 2 TPB.

We get another great Sekowsky/Giordano teaser page for the next issue followed by a two page filler, "Crime Does Not Pay!" also by Mike Sekowsky and Dick Giordano. This little short is about a pick-pocket who unwisely tries to pick Diana's pocket!

Edited by Mike Sekowsky.

Detective Comics #398

2010-02-26T11:14:00.000-08:00

Detective Comics #398 (On Sale: February 26, 1970) has a cover by Neal Adams.

This issue begins with our cover-story "The Poison Pen Puzzle" by Frank Robbins, Bob Brown and Joe Giella. It begins with Bruce Wayne on a jet headed for Los Angeles where Wayne Enterprises is about to buy into the picture business by purchasing a stake in Seven-Star Pictures. Sitting next to him is writer Maxine Melanie, who creates quite a stir on the plane when her identity is revealed by a couple of flight attendants. Her latest Hollywood tell-all "novel" has just been published and when she asks Bruce if he would like an autograph, he makes it clear how he feels about her type of literature, "I wouldn't be seen dead with your--book!"

But as fate would have it Seven-Star Pictures has just optioned the thing and after landing Bruce makes a big stink in the boardroom of Seven-Star, threatening to call of the merger if Seven-Star makes the movie. One of the board-members rightfully accuses Bruce of being a boorish "censor" for criticizing a book he has not read and when they go to get Bruce their advanced copy, they find it missing. This sends Bruce to a nearest bookstore where Maxine just happens to be signing her work.

Bruce is told that if he wants an autograph from Maxine that he better bring his own pen as "Maxine ran out of hers hours ago..." Just then an old woman asks to be let into the line awaiting autographs as she is "too frail to take this pushing around." As Maxine signs her book, she spasms, screams and collapses. The old woman tries to beat a hasty retreat but drops her book. Bruce tries to return it to her and is flipped onto his back by the old broad. By this time a doctor has shown up and pronounces Maxine dead. Bruce notices that there is a pin-prick in Maxine's finger and that there is a needle sticking out of the pen. When Bruce looks at the dropped book he sees that it is an advanced copy.

Back at Seven-Stars Bruce finds that they know of Maxine's death and that one of their top "properties," Loren Melburn has confessed to the murder. She is half of Hollywood's "perfect couple" with husband Dorian Spence. They were both "speared by Maxine's poison-pen in her novel." They mention to Bruce that there is a third major star mentioned in the book, Ronald Dart, who also had motive to kill Maxine. Another board-member walks in and announces that Dorian Spence has also confessed to the murder of Maxine.

Bruce says he will handle this personally and as Batman visits the Los Angeles police where he tels them to announce that Batman is on the case. Later Batman visits the Spense's where Dorian tries to convince him that he is the real killer. Planning to head over to Rod Drake's place next door Batman is confronted by Drake in the garden, where he says he overheard Spence planning Maxine's death. When Drake comes out of the shadows he is wielding a fireplace poker and is not Drake, but Dorian Spense. But just as quickly he is grabbed by Dorian Spence who pulls the mask off the attacking Spence to reveal Rod Drake.

Drake confesses that he fed Maxine most of the dirt in her "novel" with the promise that he would star in the movie version. Only, she reneged and he decided to kill her for it. Does much of this make any sense at all? Not really.

The back-up is Robin in "Moon-Struck" by Frank Robbins, Gil Kane and Vinny Colletta. Hudson University is being visited by a moon rock which NASA is giving to Russia and is being accepted by Russian Exchange Professor Zukov. Geeky student Herb Stroud, the campus "profit of doom" who "showers every hour--on the hour" arrives to say that the moon rock may be dangerous. His prediction appears to have been right as the rock flashes green and Herb's skin turns the exact same color. The campus is quarantined and NASA people grab Herb for testing. They can find no radiation issues at all.

Meanwhile Robin is suspecting a hoax and is visiting the showers and finds a strange bar of green soap with an odd scent. Just hen the lights go out and so does Robin, who is attacked trying to keep the soap. When he awakens he smells an odd scent on the hand of the person who awakened him. Reprinted in Showcase Presents: Robin the Boy Wonder Vol. 1 TPB. Not much to say about this one except the art is horrible and I don't blame Gil Kane.

Edited by Julius Schwartz.

Aquaman #51

2010-02-26T07:59:00.000-08:00

Aquaman #51 (On Sale: February 26, 1970) has another brilliant cover by Nick Cardy. This may be the Silver Age of comics, but it was the Golden Age of Comic Covers.

We begin with Aquaman in "The Big Pull" by Steve Skeates and Jim Aparo. Continuing from last issue, some alien creatures sent by Ocean Master have blasted Aquaman, well, somewhere unearthly. There he met a woman who lived in a strange city where their religion only allowed for communication in their sanctuary. Looking for information about Earth the woman has brought Aquaman to Brother Warnn and as we pick up the story this issue we learn that even this man has no concept of Earth. The people here only believe in the City and the Wilderness beyond; to them nothing else exists.

When Aquaman tells the woman that he intends to search for someone who knows of Earth, the woman warns him that there is nothing but the City and the Wilderness and to speak otherwise is blasphemy. Aquaman is overheard however by a Supreme Brother, one of the few allowed to communicate outside of the sanctuary. The woman tells Aquaman that if he leaves they will surely attack him, but Aquaman doesn't want to wait around any longer and bolts from the place. He is followed by a couple of warriors with the crazy bubble-guns seen last issue. Aquaman sneaks up on an unsuspecting guard, and knocking him out, uses his body as a shield from the bubbles. Escaping Aquaman soon finds that he is once again being followed by the woman.

Back in the City, on official turns on a machine which sends out huge telepathic waves into the Wilderness. The waves his Aquaman and his companion, causing extreme pain and knocking her out. Aquaman carries the woman and swims on. Eventually as he puts more distance between him and the City the pain eases.

Back in Atlantis, Black Manta is seen approaching the city and Mera, alone and in charge, wishes with all her might that her husband were back with her. At that same instance, somewhere else, Aquaman feels a strange force pulling him in a specific direction. His companion wakes up and seems unsure of what to do, but eventually decides to continue following Aquaman.

As they continue on they are seen by two strange little men toiling in a rock quarry. Jimm thinks he sees Aquaman, but Steev has never heard of Aquaman and thinks they better get back to work or Dikk will have their heads. This was a nice little inside bit by Skeates and Aparo.

Luckily the woman did not see Steev or Jimm for she would have surely freaked when she saw them talking, for a little later on Aquaman is drawn toward a large sphere, covered with cave-like structures. When the woman sees the cave-people communicating in the open she is shocked and pulls out her gun to shoot them. Aquaman stops her, but not before one errant shot is let loose. It hits near a child playing and the cave people head toward Aquaman with clubs at the ready. This story was reprinted in Adventure Comics #503.

The back-up is Deadman in "The World Cannot Wait for a Deadman" written and drawn by Neal Adams. If you remember last time, the same aliens that zapped Aquaman where ever the heck he has been zapped, let loose a cat-like creature when they realized a non-corporal being like Deadman was in their midst and said cat-like creature was flipping Deadman out! More like taking him for an inter-dimensional ride! Now as he lands on solid ground (hard for a dead man to do!), the cat-like create has turned into a beautiful woman who explains that in this dimension Deadman is real

The beautiful Tatsinda explains that in our world she can only exist as the "cat-like" creature, that the aliens captured her two years ago and that the only way she could get home was to "ride" a nonentity, such as Deadman, back to her dimension. Deadman says that she can just ride him right back then, "Look, just drop me off and you can come back here!" But of course, she can only make the dimensional jump with someone like Deadman to ride her through it.

Just then Tatsinda's brother and sister arrive and after a tearful reunion they all run underground to avoid a massive storm. As they near Tatsinda's underground home city they are attacked by two ugly-looking guys on a giant crab-like creature. The crab-like creature's eyes hold them all in a hypnotic trance as the ugly ones grab Tatsinda and scamper (scuttle?) away on a giant network of spider-like webbing. Once they snap out of the trance Deadman asks what is the best way to go after them and Tatsinda's brother says that there is no way, that no one has ever followed the depth crabs, "We'll never see Tatsinda again!"

Not the right answer for Deadman, who leaps into the depths and swings about on the webs like he once did the trapeze. He quickly finds the ugly ones and landing among them begins to open a can o' wup ass! He rescues Tatsinda and as he is taking her back to her home she says, "You've done what no man on this whole planet could have done! I've been thinking...about how your dimension needs you more than I need to go home! Don't throw up!" and she rides him once again through the dimensional barrier! This story was reprinted in Deadman Collection HC.

Edited by Dick Giordano.

Superman's Pal Jimmy Olsen #128

2010-02-24T22:54:00.000-08:00

Superman's Pal Jimmy Olsen #128 (On Sale: February 24, 1970) has a cover by Curt Swan and Murphy Anderson.

This issue begins with our cover-story "No Father for Jimmy" by E. Nelson Bridwell and Pete Costanza. The back-up is "The Story of Superman's Souvenirs" from Superman's Pal Jimmy Olsen #5 by Otto Binder, Curt Swan and Ray Burnley. Killer Burke, a hunted fugitive, hides in the apartment of Jimmy Olsen. Burke forces Jimmy to tell him the stories behind several of his Superman souvenirs, hoping one will enable him to escape. Burke then uses an invisibility belt invented by Luthor to slip past the police. However, the belt causes Burke to go blind. Without his sight, Burke is forced to surrender. When Jimmy turns off the belt, his sight is restored.

Edited by Mort Weisinger.

Heart Throbs #125

2010-02-24T22:50:00.000-08:00

Heart Throbs #125 (On Sale: February 24, 1970) has cover by Ric Estrada and Vince Colletta.

This issue begins with our cover-story "Leave Me! Leave Me! Leave Me" drawn by Ric Estrada and Vince Colletta. Next is "Two Loves Have I" drawn by Lee Elias. We end with "Am I Too Young for Love?"

Edited by Joe Orlando.

Green Lantern #76

2010-02-24T09:34:00.000-08:00

Green Lantern #76 (On Sale: February 24, 1970) is an obscure, little-known book of no real importance. Not! Neal Adams provides the cover to this ground-breaking comic with the new Green Lantern Co-Starring Green Arrow logo.

I remember seeing this book on the stands like it was yesterday. Having read the Green Arrow make-over issue of The Brave and the Bold and having been following his exploits in Justice League of America I was hankering for some more Green Arrow, and I was always ready for a new Neal Adams' series. This issue I got both and so, so much more. "No Evil Shall Escape My Sight" is the classic Denny O'Neil and Neal Adams revamping of the ailing Green Lantern franchise that changed the direction of comics for years to come and introduced the word "relevance" to comics.

This landmark issue almost went out with this cover instead, but editor Julius Schwartz passed on this one, perhaps because it looks like Green Arrow is about to shoot Green Lantern in the back. I've seen another version of this cover on-line somewhere which has the Green Lantern figure inked by Adams.

Stop me if you've heard this one before... or not. Green Lantern is in the area of Star City and decides to drop in on Green Arrow to see how he is doing. Once in town he sees a guy in a suit being accosted by "a punk" on the street. Lantern does a little green-ring razzle-dazzle and sends the "punk" off to police headquarters. He then picks the accosted man off the street and dusts him off accepting his gratitude. Then the crowd gives Lantern their opinion of his performance as they begin to pelt him with bottles, cans and other assorted garbage.

Green Lantern grabs the nearest punk and is about to work him over when Green Arrow arrives with the classic lines, "Touch him first, Green Lantern, and you'll have to touch me second...and I'll touch back!--Believe it chum!" "I was almost tempted to throw a can at you myself!" Arrow takes Lantern aside and explains that the accosted guy was Jubal Slade, the fat-cat landlord who owns these tenement slums, and who is now evicting everyone to turn the buildings into parking lots.

Up on the roof of the building, the straight-laced Green Lantern says he was only doing his job and Arrow accuses him of being a Nazi. Then in one of the more powerful moments in comic history an old black man asks Green Lantern a question, "I been readin' about you...How you work for the blue skins.. And how on a planet someplace you helped out the orange skins...And you done considerable for the purple skins! Only there's skins you never bothered with--! The black skins! I want to know... How come?! Answer me that, Mr. Green Lantern!"

This is one of two scenes that everyone seems to remember from this book and regard as its high point, but for me it is the first panel on the next page that makes this scene kill. More precisely, it is the caption of that first panel: " In the time it takes to draw a single breath...the span of a heartbeat--a man looks into his own soul, and his life changes..." What makes this story work and the whole concept of the book work, is that Denny O'Neil is able to give voice to two opposing views through the two main characters, but he is obviously slanted toward Arrow's more liberal views.

In a way, O'Neil turned this book into his own take on Steve Ditko's the Hawk and the Dove, only he is playing the favorite that Ditko never would ever have considered. Arrow gives a powerful voice and presence to the Dove and Lantern finds himself conflicted as the black and white Hawk. The country, certainly the youth of the country, was rejecting Ditko's black and white view of the world and embracing a more humanistic approach. Green Arrow was the perfect tool to bring that view to comics.

Back in our story, Green Lantern goes to Jubal Slade and tries to talk him out of razing the buildings. Slade calls him a "bleeding heart" and has his men attempt to throw him out. Lantern takes out Slade's thugs and is about to open a can of whoop-ass on Slade when the Guardians intervene, telling Lantern to report to Oa immediately. The Guardians are pissed that Hal attacked Slade, who in their eyes, had committed no crime. They send him out to save a moon of Saturn from a swarm of meteors and tell him to wait there for further orders. Tired of doing the work of the "blue skins" and thinking back on the words of the "black skin," Hal disobeys the Guardians and heads back to Earth.

At that moment Arrow is visiting Slade and convincing him that he needs to pay Arrow for "protection." They set up a meeting for later than night for a payoff. We watch the two guns heading for the rendezvous, silencers in place. Seeing a figure in a chair they pump it full of lead, only to find it is a dummy and Green Arrow is upon them! After handling the men, Arrow retrieves his hidden tape recorder, only to find that one of the gunsel's stray bullets has scored a direct hit on the tape and Ollie is back to square one.

When Arrow and Lantern get together, Ollie relates his failure and Hal comes up with a plan. One of the gunmen shows up at Slade's penthouse and Slade erupts, telling him never to come there and wanting to know if the "hit" on Green Arrow was a success, "Green Arrow! Did you finish him? I paid you to kill him...remember?" At which point the gunman turns into Green Lantern and Green Arrow shows up with the District Attorney in hand to arrest Slade.

All that is left is Slade's attempt to get away via a hand grenade he uses as a paperweight, but Green Lantern makes quick work of that and the D. A. takes Slade away. Happy ending, right? Not so fast bucko! There is the Epilogue and the other famous scene from this story.

The Guardians are pissed off at Hall for disobeying their orders and Green Arrow lays into them and Hal in some of the most amazing dialog ever written. For the time it was shocking. "Listen...Forget about chasing around the galaxy!...and remember America...It's a good country...beautiful...fertile...and terribly sick! There are children dying...honest people cowering in fear...disillustioned kids ripping up campuses...On the streets of Memphis a good black man died...and in Los Angeles a good white man fell...Something is wrong! Something is killing us all...! Some hideous moral cancer is rotting our very souls!"

And so Ollie tasks the Guardians to do something about it and after much deliberation they send down one of their own, disguised as a human and together, the three of them take off in a pick-up truck to find America. "Three set out together, moving through cities and villages and the majesty of the wilderness...searching for a special kind of truth...searching for themselves."

This classic tale has been reprinted in Green Lantern/Green Arrow #1, Greatest Team-Up Stories Ever Told HC, Greatest Team-Up Stories Ever Told TPB, DC Silver Age Classics Green Lantern 76 (#6), Green Lantern/Green Arrow Collection Vol. 1 TPB, Millennium Edition: Green Lantern 76 (#5), Green Lantern/Green Arrow Collection HC and Green Lantern/Green Arrow Vol. 1 TPB.

Edited by Julius Schwartz.

Girls' Romances #148

2010-02-24T09:25:00.000-08:00

Girls' Romances #148 (On Sale: February 24, 1970) has an absolutely beautiful cover by the great Nick Cardy.

This issue begins with "I Won't Fall in Love" drawn by Ric Estrada and Vince Colletta. Next is "My Nightmare Love Affair" drawn by John Rosenberger. We end with the transgendered romance (just kidding) "I Wish I Wasn't Born a Girl" inked by Vince Colletta.

Edited by Murray Boltinoff.

Brave and the Bold #89

2010-02-24T04:06:00.000-08:00

Brave and the Bold #89 (On Sale: February 24, 1970) has a Batman and Phantom Stranger cover by Neal Adams over an obvious Carmine Infantino layout. This is the first issue to use the new Batman logo, which will disappear next issue but return after that.

This issue is dreadful. From the uninspired cover to the uninspired ending this book reeks. Bob Haney doesn't have the slightest clue how to use the Phantom Stranger or worse yet, Dr. Thirteen. We open with a group of covered wagons pulled by oxen and led by one Josiah Heller, self-proscribed descendant of the Hellerite leader of the same name. The Hellerites, so Batman says the legend goes, settled in Gotham 150 years ago, a strange sect of people (think Amish crossed with Mormon) who frightened the citizens of Gotham because they were so different. When a child is found dead on the streets the citizens blame the Hellerite sorcery for the death (most likely caused by a fever) and burned the Hellerite encampment, killing Josiah who proclaimed as the flames engulfed him that, "Someday the dust of the desert will fill Gotham's streets--and then this city's sins must be cleansed!"

These modern-day Hellerites set up camp in Gotham Park, where Batman and Commissioner Gordon head Heller tell his people that they have returned to Gotham for reparations and that they will demand that Gotham give up the land where their ancestor's encampment once stood. This land is now part of downtown Gotham, even Bruce Wayne owns a piece, and worth a fortune. The declaration splits Gotham in two and at a council meeting, Bruce Wayne (who Haney seems to think in on the City Council), donates the Wayne Foundation building to the Hellerite cause.

As Batman, Bruce keeps tabs on Heller and that night Heller is visited by the Phantom Stranger, who warns Heller that he has "unleashed a terrifying threat against Gotham City." When Heller tried to attack the Stranger, he knocks himself unconscious and Batman enters Heller's room and finds cigarettes in his pocket. He notes that Hellerites don't smoke and that they are supposed to be non-violent, yet Heller attacked the Stranger.

The city is soon crawling with Hellerites with glowing eyes and when Batman attempts to find out why he is confronted by the Phantom Stranger who paralyzes Batman so he can watch the Hellerites confronting Gotham citizens and demanding their property. The people find it impossible to resist the glowing stare of the Hellerites. The Stranger tells Batman that some of the Hellerites are "spectral beings...ghosts of Gotham's past."

Batman heads to Gotham Park and confronts Heller, who says that his people are all in the park and knows nothing of the Hellerites walking around Gotham. The Stranger appears and says that Heller has unwittingly called forth the spirits of the long-dead Hellerites. Dr. Thirteen shows up to call the Stranger a fraud (does he do anything else?) and karate-chops the Stranger unconscious.

Heller disappears during all of this and Batman goes searching for him, finding him painting a mark on the door of a house in Gotham. When Batman confronts Heller, his hands go right through him and Heller vanishes. Batman notices that the house is the one he has rented after vacating the Wayne Foundation building. Using the Gotham police computers Batman finds out that all of the houses "marked" by the Hellerites have an elder son at home (I guess Haney decided to ignore the fact that Robin wasn't living at home anymore).

Returning to his house Batman is psychically attacked by Dick and when Heller arrives to ask Bruce Wayne for even more "reparations" he is attacked by the ghostly Heller who calles him "an imposter." The ghostly Heller says that the modern-day Heller is not his decendant and only has the power to "unwittingly stir the spirits from their eternal sleep. Once aroused, all we can do is evil--until he who called us forth confesses his sacrilege."

Batman awakens the Stranger in police lock-up and the two of them go on the attack against the ghostly Heller and Dick. The ghosly Heller tries to kill the modern-day Heller and the Phantom Stranger intervenes. A sherriff arrives with a wanted poster for Karl Lofus, the modern-day Heller. Seeing the poster snaps Lofus out of his delusion that he is Heller and the spirit Heller and all his Hellerites disappear.

It is explained how Lofus had amnesia after breaking out of jail and ran into the Hellerite settlement in the desert and was mistaken by them for Heller. Dr. Thirteen looks stupid once again and the real Hellerites head back for the desert. Ugh! Horrible story all around. This piece of dreck was reprinted in Showcase Presents: The Brave and the Bold Batman Team-Ups Vol. 2 TPB and Showcase Presents: Phantom Stranger Vol. 2 TPB.

Edited by Murray Boltinoff.

Adventure Comics #392

2010-02-24T03:57:00.000-08:00

Adventure Comics #392 (On Sale: February 24, 1970) has a Supergirl cover by Curt Swan and Murphy Anderson.

This issue begins with Supergirl in "The Super-Cheat" by Robert Kanigher and Kurt Schaffenberger. The back-up story is our Supergirl cover-story "One Hero Too Many" by Leo Dorfman, Winslow Mortimer and Jack Abel. This story guest-starred the Legion of Super-Pets and was reprinted in Legion of Super-Heroes Archives Vol. 9 HC.

Edited by Mort Weisinger.

Action Comics #387

2010-02-24T03:50:00.000-08:00

Action Comics #387 (On Sale: February 24, 1970) has a cover by Curt Swan and Murphy Anderson.

This issue begins with our Superman cover-story, "Even a Superman Dies" by Cary Bates, Curt Swan and George Roussos. The back-up story is the Legion of Super-Heroes in "One Hero Too Many" by E. Nelson Bridwell, Winslow Mortimer and Jack Abel. This story guest-starred the Legion of Super-Pets and was reprinted in Legion of Super-Heroes Archives Vol. 9 HC.

Edited by Mort Weisinger.

Star Spangled War Stories #150

2010-02-19T09:34:00.000-08:00

Star Spangled War Stories #150 (On Sale: February 19, 1970) has an Enemy Ace cover by Joe Kubert.

This issue begins with our Enemy Ace cover-story, "3 Graves to Home" written and drawn by Joe Kubert. I liked this story a lot; the reader is asked to imagine themselves in Rittmeister Hans Von Hammer's place, soaring through the air in a wood-strutted, fabric-covered flying machine, high over hostile French territory and suddenly set upon by a squadron of French sopwiths. Kubert is just a master at these aerial fight scenes and the four pages of flying carnage is a wonder to behold.

Von Hammer watches two of him men go down in flaming coffins and he personally dispatches the two sopwiths which took them down. But now he finds himself in the sites of three remaining sopwiths, and as his plane erupts in flames he goes into a power dive hoping to blow out the fire around him. But unable to put out the fire he instead attempts to land the plane. Jumping from the burning wreckage before his fuel tanks blow Von Hammer realizes for the first time that he has been shot in the leg. He finds himself, wounded, alone and hunted in enemy territory.

Despite his injury, he has to move fast and by dusk finds a lone farmhouse. Von Hammer speaks perfect French and as the fates would have it, the woman inside the house is blind. She dresses his wound and then shows him a picture of her son in front of his flying machine for he is a French flier. Von Hammer recognizes the marking on the plane and thinks back to two week prior when he shot this reconnaissance plane out of the air. They are interrupted by a knock at the door and thinking Von Hammer is just a young man in trouble with the local police, she hides him in her vegetable cellar. When she finds out that he may be the Enemy Ace, she points the soldiers to his hiding place. But Von hammer has escaped out an outside door.

Moving only at night Von Hammer slowly makes his way back toward Germany. On the dawn of the third day a young boy finds him sleeping in the family barn. The boy sees that Von Hammer is a pilot, and tells him of his brother, also a pilot and once again Von Hammer shooting down the planes of the brother's squadron. Not knowing Von Hammer is German, the boy gives him cheese and bread before he leaves.

Somehow Von Hammer makes it to the high country bordering Germany and awakens one morning to the lapping of sheep at his face. The young shepherdess who finds him speaks of her fiancé, a pilot in a plane adorned with two hearts entwined. Von Hammer says he does not know of such a plane, but of course he does and recalls how it flew too close to the French reconnaissance balloon it was guarding when Von Hammer riddled the balloon with bullets and it exploded, downing the French plane.

He cannot look the woman in the eyes and leaves quickly. That night during a snow storm Von Hammer finds a cave and builds a fire which he tends through the night. But he is not alone, in the flames he sees the images of all the warriors he has killed in aerial combat and thinks, "The dead are fortunate!...Never again must they wrestle with conscience! It is for us, the living...who must justify war's wanton killing!"

The next morning he makes his way down the mountain and to his Jagdstaffel and the morning after that he finds himself on the tarmac, ready to once again embrace the killer skies. This story was reprinted in DC Special Series #18, Enemy Ace Archives Vol. 2 HC and Showcase Presents: Enemy Ace Vol. 1 TPB.

Next we have a Viking Prince reprint from Brave and the Bold #12, "Monster of the Viking Sea" by Bob Haney and Joe Kubert. The fishing nets of Olaf's village are found cut. Jon investigates and discovers a hidden cavern containing a dinosaur. The dinosaur is trapped inside, but can reach through a small hole to cut the nets.

While Jon plots a strategy to deal with the monster, Ulric, his rival in the tribe plots against Jon. Ulric causes a rockfall which releases the monster. It then attacks the village. Jon forces it out to sea, where Ulric plans to kill Jon. Instead, the monster attack Ulric, taking them both to their deaths at the bottom of the ocean.

We end the issue with "Great Battles in History -- The Marne" drawn and I would guess written by Ric Estrada. The story entails how in 1914, for the first time battles were often wages and lost and won on the telephone.

Edited by Joe Kubert.

From Beyond the Unknown #4

2010-02-19T09:22:00.000-08:00

From Beyond the Unknown #4 (On Sale: February 19, 1970) has a cover by Murphy Anderson.

This issue begins with our cover-story, "Riddle of the Vanishing Earthmen" from Mystery in Space #32 by Gardner Fox, Sid Greene and Joe Giella. Next is "Our Home is in the Stars" from Mystery in Space #65 by Gardner Fox, Carmine Infantino and Joe Giella. We end with "The Surprise Package Planet" from Mystery in Space #47 by Gardner Fox and Murphy Anderson.

Edited by Julius Schwartz.

DC Special #7

2010-02-19T09:12:00.000-08:00

DC Special #7 (On Sale: February 19, 1970) has a cover by Murphy Anderson on the theme Strangest Sports Stories, something Julius Schwartz seemed to like but which never interested me much.

This issue begins with "Gorilla Wonders of the Diamond" from Brave and the Bold #49 by Gardner Fox, Carmine Infantino and Joe Giella. Next is "The Hot-Shot Hoopsters" from Brave and the Bold #46 also by Gardner Fox, Carmine Infantino and Joe Giella. That is followed by "The Man Who Drove Through Time" Brave and the Bold #48 by Gardner Fox, Carmine Infantino and Sid Greene. Next we have "Goliath of the Gridiron" from Brave and the Bold #45 by Gardner Fox, Carmine Infantino and Joe Giella. We end with "Solar Olympics of 3000 A.D" from Mystery in Space #39 by John Broome and Carmine Infantino.

Edited by Julius Schwartz.

Witching Hour #8

2010-02-17T07:54:00.000-08:00

Witching Hour #8 (On Sale: February 17, 1970) has a nice cover by Neal Adams.

This month DC put out two excellent horror/mystery comics, House of Secrets #85 and this book. Not surprisingly, they are both the work of editor Dick Giordano. This issue's framing sequence, "The True Picture of the Servant Problem at the Witching Hour" is drawn by, well, my guess is Alex Toth and Neal Adams. It might be Adams by himself, but if so he is surely channeling the work of Toth; it is a beauty. It seems the girls have hired photographer Renay Phydeaux to create a family portrait. In order to set the mood for Renay, the girls each tell a tale...

The first real story is "Above and Beyond the Call of Duty" written by Sergio Aragones and Neal Adams and drawn, so they say, by Neal Adams. I say that because this is obviously Neal's inks, but the pencils have got to be by someone else. Neal doesn't draw entire pages with no backgrounds; it just doesn't happen. Stylistically this reminds me of "The Succubus" from Vampirella #10, which was penciled mostly my soon to be comic writer Steve Engelhart. I don't know if Steve was apprenticing with Neal here a year earlier, but it has that look of Neal working with a raw, young talent, rather than Neal blasting through a story.

Don't get me wrong, the artwork is extremely nice, just the lack of backgrounds makes you wonder. Also, the layout is very straightforward; most pages are in a three-tier, six-panel fixed format. Not very Adams-like, but his may have to do with Aragones, who was known for turning in his stories as quick-sketch layouts.

Regardless, old, rich Jonas Sentry spends his days contemplating the glories of his past. He wishes he had a young body again, like that of his butler, so that he could chase after beautiful young women, like his chambermaid Maria. His butler overhears him one day and says that for his soul, a deal can be struck, where Jonas could have the butler's young body. Over the next few days, Maria seems more attentive to Jonas than ever and finally he confronts her, will she be his?

She says that it is not possible due to the difference in their ages, but if he were young like her, she would marry him in an instant. And with that incentive the deal with the butler is done. As Jonas moves from his old body to that of the butler, the devil emerges from the butler's body. Jonas kicks his old useless body down the stairs and grabs Maria as the devil phones the police to report that Jonas Sentry has been murdered by his butler. Jonas tries to explain, but in the end he is sentenced to life in prison. This story has been reprinted in DC Special Blue Ribbon Digest #17 and Deadman #4.

Next is our cover-story, "Three Day Free Home Trial" drawn by Nick Cardy. A housekeeper named Winifred offers Emily Carson three days free of charge to test out her abilities. On Wednesday Emily finds her house to be the cleanest she has ever seen it, but she feels a bit faint and Winifred offers her some more of her wonderful tea, an old family recipe don't you know? For some reason Winifred shoos away Emily's cousin Elmer. By Thursday Emily's head feels like it is going to explode. but the doctor she has summoned is sent away by Winifred, who offers up more tea as her cure-all.

Later that evening Emily awakens to some horrible noises in her house but finds the door to her bedroom locked. Looking through the keyhole she sees Winifred dancing and cavorting with all manor of demon and creature. Winifred comes in to calm her, but so do her fiends. they leave poor Emily in her room going mad while outside the loud noises continue. Then, abruptly, they end. The silence is deafening, but it to eventually ends, replaced by the thumping of footsteps, getting closer and closer. The door slowly opens and in walks Cousin Elmer.

He finds his cousin in a state of shock and summons a doctor. They find a note to Emily from Winifred reading, "Dear Miss Emily, I thank you for the use of your lovely home!! It made our annual meeting a great success! You really must learn to relax more! Get Well! Love Winnie! P.S., Hope to see you again next year...that is if we don't find a better place!" It is the morning of Friday, the 13th.

Our last story is "ComputERR" written, drawn and lettered by Alex Toth. It's a cute little piece: Kipp meets Rod through computer dating and they get married. Rob moves Kipp to his house, a huge mansion all alone in the hills. It's a sweet place, just Kipp and Rod and, oh yeah, Ferencz, a trollish little bald fellow who takes care of Rod's every need. Days turn into weeks and Kipp and Rod are in bliss in their new life together, just the, eh, three of them; Ferencz is ever-present.

One day Rod is missing, gone on a business trip and it is just Kipp and Ferencz together for a bit. Rod's trips become more frequent, more lengthy. Ferencz tries to entertain Kipp, but she begins to resent the ugly little fellow. They have no phone, no car except the one Rod takes on trips, they get no mail, Kipp has no contact with the outside world; her house has become a prison and Ferencz is her jailer. Finally she can stand it no more and confronts Rod, either Ferencz goes or she goes.

Hearing this sentence of confinement Kipp hops into Rod's beautiful 1937 yellow Cord and attempts to drive off. Rod tries to stop her and she backs into him as she leaves. Ferencz runs to Rod's side. Later we see Ferencz working on Rod's insides, he is a robot. and Ferencz promises that he will make him better than before and they will once again use their computer-match service to find a more quiet, stay-at-home type of girl. Just then there is a knock at the door. The police want to know if Ferencz owns a yellow Cord and when he replies in the affirmative they want him to come with them to the site of the wreck. "Wreck?" he asks?

There is something they want him to explain to them. When they get there, he sees the body of Kipp, thrown from the car and lying on the road. She has been ripped apart and her mechanical insides are showing.

This brings us back to the wrapper story, which now looks to be totally Neal Adams art. The girls' stories have petrified Phydeaux, so Igor shows him out, dragging his chair behind him as he goes and then trudging off into the swamp. The girls are sure the readers will be upset with them as they promised the readers a picture of Igor. There is a pounding at the door and the girls worry that the readers are in revolt, but at the door they find waiting for them a cute little girl, holding a big envelope. She gives the witches the envelope then runs off. Inside they find a picture of the girl and Igor. Of course, you can't see much of Igor, but what did you expect?

Edited by Dick Giordano.

Superboy #164

2010-02-17T07:49:00.000-08:00

Superboy #164 (On Sale: February 17, 1970) has a cover by Neal Adams. Given the subject matter, this one should have been much more effective and emotional.

This issue begins with "Your Death Will Destroy Me" by Frank Robbins, Bob Brown and Mike Esposito. The back-up story is "Revolt of Ma Kent" by Frank Robbins, Bob Brown and Mike Esposito.

Edited by Murray Boltinoff.

Secret Hearts #143

2010-02-17T07:45:00.001-08:00

Secret Hearts #143 (On Sale: February 17, 1970) has a cover inked by Dick Giordano.

This issue begins with "I Never Thought It'd End Like This" inked by Vinny Colletta. Next is "Masquerade" drawn by Alex Toth. We end with "For Singles Only" also inked by Vinny Colletta.

Edited by Dick Giordano.

Debbi's Dates #7

2010-02-17T07:38:00.000-08:00

Debbi's Dates #7 (On Sale: February 17, 1970) has a cover by,well, I don't know.

This issue begins with Benedict in "The Fall Guy" and "The Big Spender." Next is Buddy in "The Kissin' Kid," followed by Debbi's Dates in "A Bottle of Love." We end with the Ding-a-Lings in "Country Cousins." I have no writer or artist information on this book.

Edited by Dick Giordano.

Superman's Girl Friend Lois Lane #100

2010-02-12T09:09:00.000-08:00

Superman's Girl Friend Lois Lane #100 (On Sale: February 12, 1970) has a cover by Curt Swan and Murphy Anderson.

This issue begins with our cover-story, "Lois Lane's Last Mile" by Robert Kanigher and Irv Novick. The back-up is from Showcase #9, "The Un-Curious Lois Lane" is by Otto Binder, Ruben Morira and Al Plastino. Superman has created a new identity for himself, salesman Allen Todd. He does this because two nosy crooks have been trailing Clark Kent in an effort to expose him as Superman’s other identity. The Man of Steel plants clues for Lois to lead her to Todd, but Lois has taken a new approach and is now trying to cover for Superman.

After she successfully protects his new identity several times, he sends a letter with the address of Todd to Lois and leads the crooks to believe Lois knows his secret. The crooks expose Todd in front of Lois, but Superman then takes them to jail because they tried to shoot him. He then vows to adopt a new identity, which is really his old one, Clark Kent. Lois is intrigued and returns to her old ways of trying to learn the big secret again.

Edited by Mort Weisinger.

Girls' Love Stories #150

2010-02-12T09:01:00.000-08:00

Girls' Love Stories #150 (On Sale: February 12, 1970) has a cover by. well, I don't know, but I know it is not by Nick Cardy as the GCD says.

This issue begins with "Confessions, Episode #4" drawn by John Rosenberger. Next is our cover-story, "Her Secret Shame" penciled by Tony Abruzzo. We end with "Wallflower" with the unusual art team of Wally Wood and Murphy Anderson. I don't know if I believe this credit, as I never heard of these two working together and Wood inked most of his own work. If anyone has this book, I would sure like to see some of these pages.

Nick Katradis actually owns most of the "Wallflower" pages, and has them online for those interested in viewing. Nick has identified the artists as Werner Roth with Wally Wood providing the inks. this makes so much more sense than the Wood/Anderson team. Thanks Nick!

Edited by Joe Orlando.

Flash #196

2010-02-12T08:41:00.000-08:00

Flash #196 (On Sale: February 12, 1970) has a cover by Murphy Anderson.

This issue begins "The Mightiest Punch of All Time" reprinted from Flash #153 and created by John Broome, Carmine Infantino and Joe Giella. Professor Zoom is released from prison in the 25th century when he fools the officials and passes an electronic psychological examination. Zoom returns to his lab where he perfects a machine that will enhance a person's tendency towards evil. Zoom tries to use the machine across the centuries to affect Al Desmond and force him to become Mr. Element again. Al contacts the Flash for help.

Zoom's machine fails to function properly when used from the 25th century, so he constructs his own cosmic treadmill and returns to the 20th century. A side-effect of the machine gives Professor Zoom temporary control over the residents of Central City. He forces the Municipal Council to pass a law which forbids the use of super speed within Central City. Flash is unable to use his own powers legally to battle Zoom. He tries to leave town, but Zoom captures him.

Zoom then brings Mr. Element to his hide-out to kill the Flash. Before returning to his criminal ways, Desmond has hypnotized himself. When he sees the Flash, the he succumbs to the hypnotic suggestion to release his foe. Once free of Zoom's trap, Flash punches Zoom. The punch counteracts the effects of Zoom's cosmic treadmill sending the villain back to the 25th century where he is again incarcerated. Desmond however has returned to his criminal ways, so Flash takes him to the future where scientists are able to rehabilitate him.

Next we have "The Speed of Doom" from Flash #108 by John Broome, Carmine Infantino and Frank Giacoia. Responding to Dr. Hirach’s offer to time his speed, Flash takes part in an experiment. However the experiment is actually a trap designed by an alien criminal. Flash is trapped on a treadmill and forced to run himself to death. He manages to escape by speeding up and surpassing light speed.

The alien criminal is a Mohru named Kee Feleg. The gang of criminals have been taking fulgramites from Earth which give them amazing speed. Flash follows the trail of one of his foes, when the Mohru disappears into the side of a hill. Another Mohru vanishes at the same spot. Flash runs into that spot and discovers it is a dimensional gateway to the Mohru’s world. Flash captures the gang and turns them over to the Mohru authorities.

That is followed by "The Origin of Flash's Masked Identity" from Flash #128 and created by John Broome, Carmine Infantino and Joe Giella. In the early days of the Flash’s career, Barry Allen wore a mask-less uniform. He did so on his first couple of cases and was not seen. While deciding whether or not to include a mask with his costume, he has a dream.

In the dream, Barry announces his identity publicly. People are skeptical at first, but when he stops a tornado the people believe him. Crowds flock to police headquarters to see him and get autographs. When a burglary occurs across town, Barry has a difficult time making his way through the crowds to get to the scene. When Flash arrives, the thieves have left. Flash is able to catch the getaway car and catch them.

Waking from his dream, Barry realizes that the delay from the crowd almost prevented him from catching the crooks. He decides it would be better to wear a mask and keep his identity secret.

We end with "The Mirror Master's Invincible Bodyguards" from Flash #136 and also the work of John Broome, Carmine Infantino and Joe Giella. Mirror Master, upset with being slighted by the criminal fraternity in a recent poll, breaks jail and begins a new robbery spree. To avoid capture by his nemesis the Flash, Mirror Master designs two mirror bodyguards which protect him from the Flash.

At the scene of his first crime the bodyguards stop Flash in his tracks, and the villain escapes with the loot. Mirror Master’s scheme has landed him as the top criminal in a new poll.

Flash tracks down his foe by tracing the radiation given off by the bodyguards. He locates Mirror Master’s hideout. Using his amazing speed abilities, Flash is able to create two-dimensional duplicates of himself that defeat the bodyguards. With the bodyguards pacified, Flash easily captures their master. The quick defeat lands a dejected Mirror Master at the bottom of yet another criminal poll.

Edited by Julius Schwartz.

Young Romance #165

2010-02-10T08:34:00.000-08:00

Young Romance #165 (On Sale: February 10, 1970) has a cover by Ric Estrada and Vince Colletta.

This issue begins with "Second Choice - First Love" drawn by Ric Estrada and Vince Colletta. That is followed by "Any Man's Equal" drawn by Lee Elias. We end with "Love is a 3 Ring Circus."

Edited by Joe Orlando.

Sugar and Spike #89

2010-02-10T08:24:00.000-08:00

Sugar and Spike #89 (On Sale: February 10, 1970) has a cover by Sheldon Mayer.

We begin with "Runaway Dump-Truck" reprinted in Best of DC #47. We continue with "Flavor Favor," "Peace on Wheels" and finally, "Bernie the Brain Does It Again." As usual, all stories and art by Sheldon Mayer.

Edited by Murray Boltinoff.

G.I. Combat #141

2010-02-10T08:17:00.000-08:00

G.I. Combat #141 (On Sale: February 10, 1970) has a Haunted Tank cover by Joe Kubert.

We begin with the Haunted Tank in "Let Me Live... Let Me Die" by Robert Kanigher and Russ Heath. This story was reprinted in DC Special Blue Ribbon Digest #21 and Showcase Presents: Haunted Tank Vol. 2 TPB.

Our back-up stories are "Sea Devil" from All-American Men of War #65 by Bob Haney and Mort Drucker and "Churchill at Omdurman" by Ric Estrada.

Edited by Joe Kubert.

Binky #72

2010-02-10T08:08:00.000-08:00

Binky #72 (On Sale: February 10, 1970) has a cover by Henry Scarpelli and a new name. The series was previously known as Leave it to Binky.

We begin with Binky in "It's Unsteady to Go Steady." That is followed by Little Allergy in "The Artist" and in "The Sleep-Walker," which was reprinted in Best of DC #28. Next we have Binky in "Beware -- of Benny's New Wheels" and Little Allergy in "The Wanderer." We end with Binky in "It's an Ice Day" drawn by Artie Saaf and Henry Scarpelli.

Edited by Joe Orlando.

Unexpected #118

2010-02-05T07:10:00.000-08:00

Unexpected #118 (On Sale: February 5, 1970) has a cover by Neal Adams.

We begin with "Play a Tune of Treachery" by George Kashdan, John Calnan and Murphy Anderson. Next is "The Face in the Ball" by Jack Oleck and Jerry Grandenetti. This story was reprinted in Unexpected #161. We end with our cover-story, "Why Was Everyone Afraid of Hester?" by George Kashdan and George Tuska.

Edited by Murray Boltinoff.

Swing With Scooter #26

2010-02-05T07:01:00.000-08:00

Swing With Scooter #26 (On Sale: February 5, 1970) has a cover by Henri Scarpelli.

We begin with Scooter in "Cry Baby" and "Where There's Weight There's No Will." Next is Malibu in "It's a Mod World," then Scooter again in "Let's Play Catch the Plane." We then have Malibu in "Jekyll and Hide" and we end with Scooter in "The Mod Clod."

Edited by Joe Orlando.

Superman #225

2010-02-05T06:50:00.000-08:00

Superman #225 (On Sale: February 5, 1970) has a cover by Curt Swan and Murphy Anderson.

This issue has the book-length "The Secret of the Superman Imposter" by Leo Dorfman, Curt Swan and George Roussos.

Edited by Mort Weisinger.

Falling In Love #114

2010-02-05T06:42:00.000-08:00

Falling In Love #114 (On Sale: February 5, 1970) has a cover inked by Vince Colletta.

We begin with "Passport to Heartbreak" drawn by Ric Estrada and Vinny Colletta. Next we have "Somewhere I'll Find Him" penciled by Jay Scott Pike. We end with our cover-story, "I'll Never Love Again" drawn by Ric Estrada and Vinny Colletta.

Edited by Murray Boltinoff.

Our Army at War #218

2010-02-03T17:20:00.000-08:00

Our Army at War #218 (On Sale: February 3, 1970) has a cover by Joe Kubert.

This issue begins with our Sgt. Rock cover-story, "Medic" by Robert Kanigher and Russ Heath.

Next we have a reprint from Our Fighting Forces #5, "The Tortoise and the Hare Went to War" by John Reed, Sam Burlockoff, and Joe Giella.

Sam Burlockoff started out at DC in 1943 as an inker working on such strips as King, The Justice Society of America, Green Lantern and Wonder Woman. Around the same time he was working for MLJ on The Shield, The Web and Dusty. He later moved on to Quality where he inked Blackhawk, Captain Triumph and Plastic Man. He returned to DC in the 1950s to work on a number of mainly war stories, this time doing pencils or full art. His last DC story was this one from 1955.

After that final stint at DC he worked for Atlas and Eastman Color and on a number of newspaper strips, such as Flash Gordon, Apartment 3-G and The Saint. He worked on comics for overseas syndication and also drew illustrations for encyclopedias and coloring books. He retired in 1989.

The final story in this issue is "Frightened Boys... or Fighting Men?" written and drawn by Sam Glansman. This is the first of Glanzman's U.S.S. Stevens stories that he would write and draw for DC war comics for the next eight years. These stories were based on Glanzman's own experiences in World War II on the destroyer U.S.S. Stevens.

Sam Glansman broke into comics in 1939 working at Funnies, Inc. a "packager" that supplied comics to publishers. There, for Centaur Publications, he wrote text stories with some art for Amazing-Man Comics. Later for Harvey Comics, he created Fly-Man, writing and drawing the feature for at least two issues. He also contributed to Harvey's All-New Short Story Comics, Champ Comics (doing the Human Meteor) and Green Hornet Comics. His comics career was cut short by World War II, where he did indeed serve in the Navy on the U.S.S. Stevens. When it was over Glansman chose to not return to comics, as the pay was not to his liking and he took to working in cabinet shops, lumber mills and boat yards. In the 1950s he would work at Republic Aviation installing machine guns on military jets.

Glansman toyed with some comic work in 1950, but not until 1958 that he would return to the field in earnest, working at Charlton Comics. There he drew war stories in Attack, Battlefield Action, Fightin' Air Force, Fightin' Marines, Submarine Attack, U.S. Air Force Comics and War at Sea through 1961, when he switched to Dell Comics. At Dell he drew Combat and Kona, as well as movie adaptations such as Voyage to the Bottom of the Sea and the very similar book, Voyage to the Deep.

Beginning in 1964, Glansman worked regularly for both Dell and Charlton doing a ton of war books. At Charlton he was also drawing Tarzan and creating, with Joe Gill, Sarge Steel and Hercules, Adventures of the Man-God. With writer Willy Fran,z Glansman also created The Lonely War of Willy Schultz, about a U.S. Army captain conflicted by the war and his German heritage.

Once he made the shift to DC, Glansman never looked back. Besides his years on U.S.S. Stevens, Glansman drew the Haunted Tank feature in G.I. Combat from 1972 through 1986. In '86 he also started drawing Mercenaries in G.I. Combat and in 1988 he drew a few issues of Sgt. Rock. Beginning in 1993 Sam Glansman became the inker for a number of Jonah Hex mini-series drawn by Timothy Truman, his last being Jonah Hex Shadows West in 1999. His last work for DC was in the 9-ll book, DC published in 2002.

Sam Glansman did a handful of war stories for Marvel in the late 1980s and in the 1990s worked for Topps Comics inking Turok Dinosaur Hunter and Zorro. In 2003 Glansman began doing web-comics.

Edited by Joe Kubert.

House of Secrets #85

2010-02-03T13:15:00.000-08:00

House of Secrets #85 (On Sale: February 3, 1970) has a cover by Neal Adams.

Able is visited by brother Cain in this issue's wrapper story, which features some rather good Bill Draut artwork. The wrapper leads into our first real story, "People Who Live in Glass Houses..." by Len Wein and Don Heck. Some kids sneak into an abandoned house of mirrors only to find a mirror which casts no reflection. The kids hide when they hear someone coming. That someone turns out to be Mordecai Gaunt and he steps into the mirror and disappears.

The boys come out from hiding and are pulled into the mirror by Mordecai where they learn that through the power of a stone, the Rock of Ages, which Mordecai killed a Tibetan wizard to possess, Mordecai was able to enter the world of the mirror and gain immortality. His image in the mirror grows old, while he remains young. One of the boys snatch the stone away from Mordecia and he chases the kids out of the mirror. Once in the real world, the kid throws the stone at the mirror, shattering it and the fixed image of Mordecai it now reflects.

The next story is the classic "Reggie Rabbit, Heathcliffe Hog, Archibald Aardvark, J. Benson Babboon and Bertram, the Dancing Frog" by Len Wein and Ralph Reese. This is only two pages, but we get some great funny animal artwork and some great Wally Wood-inspired science-fiction work.

This is Ralph Reese's first work for DC where he would draw almost a dozen stories, all for the mystery/horror books. Ralph Reese began his career at the age of 16 as Wally Wood's assistant. His first solo comic work was for the short-lived but much loved Web of Horror black and white magazine. He also did a number of strips for National Lampoon, including The One Year Affair. He worked at Neal Adams' Continuity Associates between 1972 and 1977 and did a lot of work inking penciler Larry Hama.

In the 1980s Reese worked on the Blade Runner adaptation and an number of the Bantam Books "Choose Your Own Adventure" books. In the 1990s he pulled a stint on the Flash Gordon newspaper strip and did considerable work for Valiant Comics on Magnus Robot Fighter. Reese's last work for DC was in 2009 on The House of Mystery.

The real gem of this issue though is "Second Choice" by Gerry Conway, Gil Kane and Neal Adams. It combines beautiful artwork with a really great story. Abel reads this story from the biographical section of the library in the House of Secrets. It is the tale of Henry Landsbury, born in 989, the son of a scholar, but who for years has lived in a village under the thumb of a dark sorcerer, a masked monster in possession of the Star Ruby, which gives him ultimate power over the people of the land. We meet young Henry the day he tries to stand up to the sorcerer in the streets, only to feel the harsh sting of an enchanted lash. Henry's mother rushes to his side and warns Henry to be less like his father, who died fourteen years ago when he too was fed up living under the sorcerer's rule and tried to do something about it.

As fate would have it that evening Henry overhears a conversation in the local tavern of a white wizard named Glarn who resides at Stonehenge. Henry decides that night to travel to Stonehenge and plead the case of his village to the wizard Glarn. When he gets there Glarn it appears has been waiting for Henry to arrive and asks Henry for a token from his home village that Glarn may use as a focal point for an incantation. He gives Glarn a talisman given to him by his father before he foolishly ventured to the wizard's castle.

With that Glarn opens a gate between Stonehenge and Henry's village and calls forth the black wizard into battle, saying that now that he has a clue to his true nature he will prevail. And battle they do, though finally, in the end, Glarn prevails, the dark wizard is destroyed and Henry returns to his village to live out the rest of his life in peace.

But, Abel finds the ending of the tale unsatisfying, that Henry was more a spectator than a participant in the single most adventurous happening in his life. Abel wonders what would have happened if Henry had not heard of Glarn and had instead yielded to his "second choice," and followed his father's path, sword in hand.

As Henry nears the wizard's castle he is set upon by a flying beast and though shear will alone slays the creature. He is then transported by a dissolution spell to the black wizard's castle, where the wizard taunts him and opens up a pit of hell in front of him. Standing tall with sword in hand, Henry begs the wizard to fight him, but the wizard's spell does away with Henry's sword, leaving him without weapon. Still Henry marches forward saying he will take him on barehanded for killing his father. The wizard laughs at Henry and pulls off his hood just as Henry lands a massive blow to his face, knocking the wizard off balance and back into the hell pit, his face that of Henry's own father.

And now Henry realizes that his father must have defeated the wizard all those years ago. And then he sees the Star Ruby, "The supreme power--the supreme glory...A tempting, near over-powering prize--To be supreme, to own the world...must have been too temping for a man such as my father, a glory seeker... a man like my father... a man like me!"

This story was reprinted in Deadman #2 and Deadman #3. The entire issue was reprinted in Showcase Presents: The House of Secrets Vol. 1 TPB.

Edited by Dick Giordano.

Challengers of the Unknown #73

2010-02-03T13:10:00.000-08:00

Challengers of the Unknown #73 (On Sale: February 3, 1970) has a cover by Nick Cardy.

This issue begins with our Challengers of the Unknown cover-story, "The Curse of the Killer Time Forgot" by Denny O'Neil and George Tuska. This is Tuska's first action strip for DC. The back-up is "A Flash of Memory" by Murray Boltinoff, Dick Dillin and Vince Colletta.

Edited by Murray Boltinoff.

Detective Comics #397

2010-01-29T08:41:00.000-08:00

Detective Comics #397 (On Sale: January 29, 1970) has a beautiful Batman cover by Neal Adams.

There is a real difference between the Batman in "Paint a Picture of Peril" by Denny O'Neil, Neal Adams and Dick Giordano, and the Batman DC has been publishing for decades. I think Denny O'Neil understood where to take the character better than any writer at DC and of course, Neal Adams really "got" who Batman was.

The opening sequence of this story could be used as a crib sheet for writers and artists for years to come on how to portray "the Batman." Sure, he has his "toys," his batarang and in this story a pretty cool undersea sled, but for the most part, his major tools of the trade are that he is a fairly good fighter and he scares the hell out of people.

Great stuff by both Denny O'Neil and Neal Adams. As you can see the story opens with Batman attempting to foil a nighttime robbery of an art exhibit. By the way, there was nothing special going on during Batman's eerie stand against the robbers; he simply tried to dodge the spears by moving his body under his cape. Yeah, tried to dodge; he almost pulled it off, but got hit in the nerve of his right arm, making it all but useless and him unable to follow the underwater robbers. Up top he finds that they took a painting called "The Startled Mermaid," the least valuable item in the exhibit.

Changing back to Bruce Wayne he heads to his mid-town penthouse where he finds his cleaning lady has left the TV on. There is a special documentary on the life of wealthy Orson Payne, a Charles Foster Kane type, who bears a striking resemblance to Orson Welles. He was engaged to opera star Caterina Valance 25 years earlier when she mysteriously vanished and Payne became a recluse in his huge castle home. This is playing in the background while Bruce tends to his wounds and does yoga to "restore circulation."

As he finishes up, his cleaning woman, Cathy, comes back for her forgotten handbag and turns off the TV calling it a "vile thing." As she leaves Bruce remembers that while under water he noticed that the algae was glowing and surmises that the glow came from a submarine with low-yield nuclear engines. So come midnight we find Batman at a deserted pier launching a new underwater bat-sled and following the lingering radiation trail. The trail leads to a small nuclear sub at one of the island estates. Batman recognizes the place, it is Orson Payne's.

Sneaking past Payne's personal guards, Batman finds the man talking to an empty room of statues and paintings. Batman confronts Payne and points out the stolen painting. Payne says that he must have every likeness of Caterina, the woman who spurned him and when owners will not sell, he still acquires the piece. Since he cannot have Caterina, he now consoles himself with images of her.

Batman chases the crazed Payne through his estate, where he is lured into a trap, falling through a trap door into a small cell. Payne pulls a lever that slowly lowers a two-ton deathfall into the cell. Using a batarang on a rope Batman pulls down a chandelier, wedging it between the top of the cell and the lowering deathfall. As he comes for Payne, Payne's grip on sanity finally snaps and he sees his beloved Caterina floating in the air outside his balcony. He reaches for her, stumbling through the crumbling railing and over the edge of the balcony. Swinging out an a bat-rope Batman catches Payne who thinks he is in the arms of his beloved.

The following morning a healing Bruce is watching the coverage of the story on the news when his cleaning woman Cathy comes in and turnes off the TV saying, "You shouldn't be watching such trash." Bruce realizes it is not the TV she hates, but rather Orson Payne, and asks her if she was ever an opera singer. She says that, yes, she was, but she gave it all up to gain her freedom. Bruce says her secret is safe with him, that he sympathizes with people who want to keep secrets. Reprinted in Limited Collectors' Edition C-44 and Batman Illustrated by Neal Adams Vol. 2 HC.

The back-up story is "The Hollow Man," the conclusion of last issue's Batgirl story, by Frank Robbins, Gil Kane and Murphy Anderson. Remember, Batgirl is trying to catch the Orchid Killer, who has been preying on redheads, and is using Barbara Gordon as bait, joining the same computer-dating service as the victims. Mousy Max Tournov brought her an orchid and she tossed him over her shoulder. He crushed the orchid and ran off and she gave chase as Batgirl, only to lose him and be pulled into a dark alley by someone who says, "A red-headed Batgirl will do for now!" So much for the recap!

She tosses this guy and is surprised that he is not Max, but instead is a rather handsome guy. Startled she lets the mystery man get the best of her, knocking her out cold. When she wakes up she is being comforted by Max Tournov, who she thanks before leaving.

Two nights later as Barbara she is back in the computer-dating scene, saddled with a really homely guy named John Milman who meets her at the door with an orchid. When the uneventful date is over, Barbara says she hopes they can see each other again and when Milman presses her on it, he becomes angry. John says he knows she doesn't mean it, that he is ugly and repulsive, "Liars! All of you! You're all fragile blossoms--too precious to touch! Well--I dare to touch! And crush you all!" As Barbara gets ready to attack back, John is accosted by Jason Bard, who with his "darned trick knee" fouls everything up and lets John escape. Jason says he saw them coming out a movie and followed them out of jealousy.

Ditching Jason, Batgirl crashes John Milman's apartment, only to find him packing for a quick exit from town. Only, he isn't John Milman, he is the handsome mugger from the alley and in his possession Batgirl finds rubber masks of John Milman and Max Tournov. When he comes to the man explains that women have always fawned over him for being so handsome, but that he felt his beauty was a barrier to finding the inner beauty of women. So he used a mask to hide his own beauty and dated homely women in order to release their inner beauty. But he found them all hollow and so he needed to crush them. Batgirl says that the hollowness was not within the women but within him, that he is "the hollow man--finding ugliness in everything!"

Edited by Julius Schwartz.

Adventure Comics #391

2010-01-29T08:10:00.000-08:00

Adventure Comics #391 (On Sale: January 29, 1970) has a Supergirl cover by Murphy Anderson.

This issue begins with our cover-story, Supergirl in "Linda Danvers, Super-Star" by Robert Kanigher and Kurt Schaffenberger. The back-up is Supergirl in "The Super-Exchange Student" by Cary Bates, Winslow Mortimer and Jack Abel.

Edited by Mort Weisinger.

Action Comics #386

2010-01-29T08:05:00.000-08:00

Action Comics #386 (On Sale: January 29, 1970) has a Superman cover by Curt Swan and Murphy Anderson.

This issue begins with our cover-story, Superman in "The Home for Old Super-Heroes" by Cary Bates, Curt Swan and George Roussos. The back-up is Legion of Super-Heroes in "Zap Goes the Legion" by E. Nelson Bridwell, Winslow Mortimer and Jack Abel. This story was reprinted in Legion of Super-Heroes Archives Vol. 9 HC.

Edited by Mort Weisinger.

World's Finest Comics #192

2010-01-27T22:59:00.000-08:00

World's Finest Comics #192 (On Sale: January 27, 1970) has a Superman/Batman cover by Curt Swan and Murphy Anderson.

This issue begins with our cover-story, Superman/Batman in "The Prison of No Escape" by Bob Haney, Ross Andru and Mike Esposito. The back-up is Robin in "Danger in the Hall of Trophies" reprinted from Star Spangled Comics #126 and drawn by Jim Mooney.

Edited by Mort Weisinger.

Showcase #89

2010-01-27T22:08:00.000-08:00

Showcase #89 (On Sale: January 27, 1970) has a nice Jason's Quest cover by Mike Sekowsky and Dick Giordano.

Jason's Quest continues this issue with "The Deadly Chase" written and penciled by Mike Sekowsky and inked by, well, I'm not sure. The GCD says this is Jack Abel, but I don't really see it. Abel has a certain smoothness to his inking, particularly around the eyes, noses and hands of characters, that I just don't see in this inking. He is also credited with inking the next issue, and I sort of see some Abel-like inking in that book. If anyone can point me to particular panels that display Abel's technique I would feel much better about this attribution.

As we left Jason last issue, he had just saved his sister's life, not knowing it was her and is now ahead of her on the road to Paris thinking she must be just ahead of him. Meanwhile, Tuborg sends two more assassins after Jason and his sister. Jason on the other hand sees a blond woman on the side of the road with a flat tire and thinks it is his sister, but when he hears her deep southern accent he knows he is mistaken.

She is "Billie Jo Brock of the Lo'siana Brocks" and is immediately smitten with Jason, but her advances are interrupted by gunshots from the two assassins, who also mistake Billie Jo for Jason's sister. They blow the "petrol tank" of Billie Jo's car and she and Jason high-tail it on his bike, the killers in hot pursuit and Billie Jo firing back at them with her own gun. As they are being chased, Jason sees the car of the woman he saved last issue and seeing her without her wig realizes that she is his sister. He lures the gunmen away from her and loses them in some woods.

There his bike runs out of gas and he and Billie Jo take off on foot finding a large empty house in the woods in which to hide. Later the gunmen find the house as well and while Billie Jo passes the time away in a lip-lock with Jason, he feels a gun against the back of his head. But it is not the gunmen, but rather the owner of the house, who had shut it down but remembered something she left and found the broken window where Jason and Billie Jo had entered and now found them. But it seems she is a widow, from Lo'siana as well and actually loosely related to Billie Jo. She provides them some gas for the bike and some cover fire from the assassins while they make their escape.

They gas up Jason's bike and Billie Jo shoots the tires on the assassin's car. They figure out what the four shots must mean and steal a car from the woman's garage and the chase continues. Jason loses them under a bridge and later in a bike race. Later Jason and Billie Jo barely escape from going off the end of an unfinished bridge, but the assassins are not so lucky. They crash off the bridge and die in a horrible explosion. Jason and Billie Jo make it to Paris where Jason tells Billie Jo the entirety of his story and says he must find his sister before Tuborg's men do. Billie Jo says she understands, "Find her, quick-- then come back 'cause Billie Jo has chosen you for herself!'

We then have one of those great Sekowshy full-page previes of the next issue inked by Dick Giordano.

Edited by Mike Sekowsky.

Justice League of America #79

2010-01-27T19:03:00.000-08:00

Justice League of America #79 (On Sale: January 27, 1970) has a nice cover by Neal Adams.

This issue has the book-length by "Come Slowly Death, Come Slyly" by Denny O'Neil, Dick Dillin and Joe Giella. Continuing from last issue, we have Superman and Green Lantern on the desolate planet Monsan seeking a clue to the identity of the Doomsters, while Green Arrow is being forcibly removed from the office of the Star City City manager and Batman, Atom, Black Canary and the Vigilante are being slowly lowered into a vat of something pretty vile. As luck would have it though the two guards escorting Green Arrow are not cops and don't particularly like the City Manager, so they let Green Arrow go.

Racing back to the Doomsters' plant he gets there just in time to jam the machinery lowering his pals into the vat of icky stuff. He revives his teammates just in time to take on a cadre of Doomsters who, when overwhelmed by the JLA, lock themselves into the inner workings of the plant. That ends up being a disguised rocket that the Doomsters use to blast away from the JLA.

Meanwhile on Monsan, Superman and Green Lantern find a survivor who with his dying breath tells the tale of one of their leaders, Chokh, who when the industrial might of the planet so fouled the air came up with a way of altering Monsan physiology so that they could breathe polluted air and thrive of poisoned water. But the alteration not only modified their bodies, it warped their minds, turning them into Doomsters, who want nothing more than to spread the pollution of Monsan to other worlds.

back on earth, Batman radios Hawkman in the JLA satellite and tells him he must stop the alien spaceship above Star City. Using his Thangarian space cruiser, Hawkman is going to use a gravity beam on the flying building when it explodes exposing the sleek battleship hidden inside. The Doomsters jam Hawkman's controls forcing him to abandon his ship which they then blast in half. Realizing the the Earth people are more threatening than they thought the Doomsters drop pollution canisters all around the globe and then send out a warning message to the people of Earth that they have one hour to make peace with themselves, before they are inundated with "total pollution."

The JLA assemble in their satellite just as the returning Superman and Green lantern recover the wounded Hawkman. Once he is safely in the JLA satellite Superman and green Lantern begin a full attack on the Doomsters' spaceship, defeating the aliens. However, Chokh escapes and penetrates the JLA satellite where he captures Black Canary. Batman and Green Arrow try to stall him by telling Black Canary how much they appreciate her and Green Arrow even says that he may be in love with her.

Chokh is finally defeated by the Atom and later Arrow tells Canary that he meant what he said, but she says she is not ready for a new relationship just yet, but is happy that they saved the Earth. Arrow looks at the soot and ash spewing from some plants in the background and says, "Did we? I wonder..." Reprinted in Justice League of America Archives Vol. 9 HC and Showcase Presents: Justice League of America Vol. 4 TPB.

Edited by Julius Schwartz.

Date With Debbi #8

2010-01-27T18:54:00.000-08:00

Date With Debbi #8 (On Sale: January 27, 1970) has a cover by Henry Scarpelli.

This issue Debbi in "A Froggy Day in Buddsville" by Barbara Friedlander and Henry Scarpelli. Next is Debbi in "Everybody Likes Somebody" also by Barbara Friedlander and Henry Scarpelli. That brings us to Debbi in "Calling Doctor Debbi," and we end with Flowers in "The Valentine Date."

Edited by Dick Giordano.

Running Behind Again

2010-01-27T07:06:00.000-08:00

I'm running behind schedule again. I am being swamped with projects at work that are sapping my strength, leaving me exhausted. On top of that I have 15 books to read this month, and my detailed recaps always take an hour or so to produce. If there is something special about the book, like John Broome's last story or Al Williamson's, John Severin's and Jerry DeFuccio's first DC stories in this blog, then the items take even longer to write.

Well, things could be even worse. I could still own all my Mort Weisinger books and have to reread them as well. That would have put me at rereading 21 of the 28 books DC published this month.

Well, enough complaining from me. To be honest this month has been a goldmine of good stuff so far, from the above mentioned milestones, to Deadman's return, and there are still a few gems to go. Poor me, I have to read great comics.